Why ‘Batgirl’ Proves That Filmmakers Shouldn’t Be Hollywood Lab Rats (Column)
This isn’t the first time that HBO scrapped the work of its creators, but filmmakers should view all studio experiments with caution.
Eric Kohn’s Column
Here’s the ‘Nope’ Metaphor You Missed: The Need to Diversify the Arthouse (Column)
For the arthouse to survive, it must adapt new strategies that let more viewers see themselves.
Why Disney Money Is the Biggest Patron of Arthouse Cinema (Column)
Output deals from major streamers are keeping arthouse cinema alive, but it’s not a perfect system.
July 4th for the Film Community: How Hollywood Can Make the Country a Better Place for Filmmakers
Column: It is still possible for America to become a better, more hospitable place for the movies. Here’s how.
Abortion Rights Documentarians Speak Out: It’s Time to Get to Work (Column)
After the defeat of Roe v. Wade, directors talk about the impact of their work and what’s needed now.
That Jan. 6 Proud Boys Documentary Will Become a 4-Part Series, but Who Will Have the Courage to Buy It?
Column: Nick Quested’s work is proof that filmmaking on disturbing subjects can make a difference, but only if the industry gives it a shot.
Broadway’s Best Playwrights Are Ready to Save Hollywood from Itself (Column)
Stage veterans like Tracy Letts are tired of seeing playwrights vanish into TV. But newcomers like Jeremy O. Harris thinks the system can benefit from investing in their talent.
Missing Pieces: Why Film Festivals Treat Programmers as Disposable (Column)
While the industry relies on programmers, they have never been treated as more disposable. What would it take to change that?
Life After Cannes: France’s Government Is Saving the Movies Better Than Hollywood (Column)
France is invested in keeping cinema alive. What would it take for the U.S. to follow suit?
Enough Pins and Ribbons: How Cannes and Ukraine Provide a Model for Industry Support in Crisis (Column)
Ukraine has been present at this year’s festival in ways that should inspire the global film industry — for business and humanitarian reasons alike.
Netflix Might Have the Model to Fix a Major Film Festival Flaw (Column)
Should it always take a year for festival highlights to reach more audiences? The recent comedy festival suggests an alternative solution.
Why the Film Industry Isn’t Doing Enough to Support Programmers (Column)
As the Rotterdam Film Festival fires its programming team, questions arise about what it would take to better protect this profession.
Newswire
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IFC Films Sets U.S. Release Date for Cannes Breakout ‘Corsage’ (EXCLUSIVE)
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The Furry Community Is Struggling to Snuff Out Far-Right Agitators
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‘Justified: City Primeval’: Incendiary Device Thrown Onto Chicago Set; No Injuries Reported
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Supergirl's Chyler Leigh to Star Opposite Andie MacDowell in Hallmark's The Way Home Series
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