July 4th for the Film Community: How Hollywood Can Make the Country a Better Place for Filmmakers
Column: It is still possible for America to become a better, more hospitable place for the movies. Here’s how.
Eric Kohn’s Column
Abortion Rights Documentarians Speak Out: It’s Time to Get to Work (Column)
After the defeat of Roe v. Wade, directors talk about the impact of their work and what’s needed now.
That Jan. 6 Proud Boys Documentary Will Become a 4-Part Series, but Who Will Have the Courage to Buy It?
Column: Nick Quested’s work is proof that filmmaking on disturbing subjects can make a difference, but only if the industry gives it a shot.
Broadway’s Best Playwrights Are Ready to Save Hollywood from Itself (Column)
Stage veterans like Tracy Letts are tired of seeing playwrights vanish into TV. But newcomers like Jeremy O. Harris thinks the system can benefit from investing in their talent.
Missing Pieces: Why Film Festivals Treat Programmers as Disposable (Column)
While the industry relies on programmers, they have never been treated as more disposable. What would it take to change that?
Life After Cannes: France’s Government Is Saving the Movies Better Than Hollywood (Column)
France is invested in keeping cinema alive. What would it take for the U.S. to follow suit?
Enough Pins and Ribbons: How Cannes and Ukraine Provide a Model for Industry Support in Crisis (Column)
Ukraine has been present at this year’s festival in ways that should inspire the global film industry — for business and humanitarian reasons alike.
Netflix Might Have the Model to Fix a Major Film Festival Flaw (Column)
Should it always take a year for festival highlights to reach more audiences? The recent comedy festival suggests an alternative solution.
Why the Film Industry Isn’t Doing Enough to Support Programmers (Column)
As the Rotterdam Film Festival fires its programming team, questions arise about what it would take to better protect this profession.
Directing TV Means Less Creative Freedom, but These Filmmakers Have Never Been Happier (Column)
As The Weeknd boots Amy Seimetz from his HBO show, should good filmmakers be wary of TV? The answer requires a careful risk-benefit analysis, and a business model.
What Should Netflix Do? Three Words: ‘Drive My Car’ (Column)
With its renewed focus on “right-sized budgets,” Netflix could tighten its belt and help the film community all at once.
Why Hollywood Can’t Connect Movie Stars with the Filmmakers They Deserve (Column)
Jim Carrey says he’s done with acting after “Sonic 2,” but are name actors getting the right material sent their way?
Newswire
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Surfside Condo Collapse Doc in the Works From 101 Studios, Grain Media and Miami Herald — Film News in Brief
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Macy Gray Thinks People ‘Misunderstood’ Her Transphobic Comments. They Didn’t
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‘Million Dollar Listing New York’ On Pause After Nine Seasons
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Your Honor to End With Season 2 on Showtime, Bryan Cranston Says
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Seahawks, Blazers to be Sold by Allen Trust Within ‘10 to 20’ Years