Why ‘Batgirl’ Proves That Filmmakers Shouldn’t Be Hollywood Lab Rats (Column)
This isn’t the first time that HBO scrapped the work of its creators, but filmmakers should view all studio experiments with caution.
This isn’t the first time that HBO scrapped the work of its creators, but filmmakers should view all studio experiments with caution.
For the arthouse to survive, it must adapt new strategies that let more viewers see themselves.
Output deals from major streamers are keeping arthouse cinema alive, but it’s not a perfect system.
Column: It is still possible for America to become a better, more hospitable place for the movies. Here’s how.
After the defeat of Roe v. Wade, directors talk about the impact of their work and what’s needed now.
Column: Nick Quested’s work is proof that filmmaking on disturbing subjects can make a difference, but only if the industry gives it a shot.
Stage veterans like Tracy Letts are tired of seeing playwrights vanish into TV. But newcomers like Jeremy O. Harris thinks the system can benefit from investing in their talent.
While the industry relies on programmers, they have never been treated as more disposable. What would it take to change that?
France is invested in keeping cinema alive. What would it take for the U.S. to follow suit?
Ukraine has been present at this year’s festival in ways that should inspire the global film industry — for business and humanitarian reasons alike.
Should it always take a year for festival highlights to reach more audiences? The recent comedy festival suggests an alternative solution.
As the Rotterdam Film Festival fires its programming team, questions arise about what it would take to better protect this profession.