July 4th for the Film Community: How Hollywood Can Make the Country a Better Place for Filmmakers
Column: It is still possible for America to become a better, more hospitable place for the movies. Here’s how.
Column: It is still possible for America to become a better, more hospitable place for the movies. Here’s how.
After the defeat of Roe v. Wade, directors talk about the impact of their work and what’s needed now.
Column: Nick Quested’s work is proof that filmmaking on disturbing subjects can make a difference, but only if the industry gives it a shot.
Stage veterans like Tracy Letts are tired of seeing playwrights vanish into TV. But newcomers like Jeremy O. Harris thinks the system can benefit from investing in their talent.
While the industry relies on programmers, they have never been treated as more disposable. What would it take to change that?
France is invested in keeping cinema alive. What would it take for the U.S. to follow suit?
Ukraine has been present at this year’s festival in ways that should inspire the global film industry — for business and humanitarian reasons alike.
Should it always take a year for festival highlights to reach more audiences? The recent comedy festival suggests an alternative solution.
As the Rotterdam Film Festival fires its programming team, questions arise about what it would take to better protect this profession.
As The Weeknd boots Amy Seimetz from his HBO show, should good filmmakers be wary of TV? The answer requires a careful risk-benefit analysis, and a business model.
With its renewed focus on “right-sized budgets,” Netflix could tighten its belt and help the film community all at once.
Jim Carrey says he’s done with acting after “Sonic 2,” but are name actors getting the right material sent their way?