Damien Chazelle on Life Imitating Art Behind the Scenes of ‘Babylon’
Toolkit Ep. 195: Oscar winner Chazelle says he can relate to Diego Calva’s “Babylon” character: “I still find big movie stars intimidating on some fundamental level.”
Toolkit Ep. 195: Oscar winner Chazelle says he can relate to Diego Calva’s “Babylon” character: “I still find big movie stars intimidating on some fundamental level.”
Toolkit Ep. 194: The director tells IndieWire on the lessons he learned from Spielberg and Welles for scenes of “everybody milling around doing really complicated things and talking to each other.”
Toolkit Ep 189: Director Alejandro González Iñárritu talks to IndieWire about his most personal film to date and how it was influenced by the concept albums of the 1970s.
Cameron told IndieWire that follow-ups to “The Way of Water” will arrive at a quicker pace because “we don’t have to stop and retool at each stage of the game.”
Toolkit Ep 190: Laura Poitras and editor Amy Foote on how they avoided biography in their portrait of Nan Goldin’s life, art, and activism.
Toolkit Ep 188: Director James Cameron takes a deep dive into the technical innovations of “Avatar: The Way of Water” and how they benefit the performances and writing.
On the latest episode of Filmmaker Toolkit, Daniel Kwan and Daniel Scheinert discuss some of the less visually obvious editing and sound design choices that allowed them to make “Everything Everywhere All At Once” a delightfully coherent mess.
Toolkit Ep 187: Director Daniel Roher discusses the thrilling behind-the-scenes filming of the man Putin’s Kremlin tried to assassinate.
Tony and John Gilroy tell the Toolkit Podcast how the Scottish fog and an altered opening changed the course of their “Star Wars” series.
The director of “Good Night Oppy” tells IndieWire about how his love of space and space movies informed his new documentary.
Director Mark Mylod discusses channeling Ralph Fiennes’ character to create the look and feel of his “eat the rich” satire.
Director Shaunak Sen goes inside how he found and created the most innovative visual language of any film this year.