‘Reservation Dogs’ Season Finale: Why Closing Daniel’s Story Is the Best Decision
“We can’t have the whole show every season be about them trying to get to California,” Sterlin Harjo tells IndieWire.
FX Networks
Fall TV Preview: The 20 Shows You’ll Want to Watch
As the leaves turn, temperatures drop, and people cozy up indoors, TV networks are building a roaring fire of inviting series to gather ’round.
‘Reservation Dogs’ Shines a Light on ‘Heartfelt Comedy’ of Indigenous Funerals
“If we were to look at cinema and ask, ‘If you can pick one project that defines white filmmaking what would it be?’ You could never,” K. Devery Jacobs says.
Why Gabriela Cowperthwaite’s ‘Children of the Underground’ Holds Deeper Relevance Post-Depp v. Heard
Cowperthwaite knows her new docuseries is controversial: “We’re poking the dragon,” she tells IndieWire.
Sarah Paulson on Controversial ‘Impeachment’ Look: ‘Transforming Yourself Is One of the Joys of the Craft’
“Look at Sean Penn on ‘Gaslit,'” Paulson tells IndieWire about double standards regarding physical transformations.
‘Children of the Underground’ Review: FX Docuseries Looks at Misinformation in Abuse Allegations
Gabriela Cowperthwaite’s latest tackles a complicated issue with appropriate nuance.
‘Reservation Dogs’ Season 2 Review: Less Funny? Yes, but Also More Assured and Complex
Sterlin Harjo’s “Reservation Dogs” may not know who they are yet, but this show certainly does.
From ‘Reservation Dogs’ to ‘Love and Fury,’ Sterlin Harjo’s Goal Is to ‘Humanize’ the Native Experience
An unexpected career boost has provided the artist with a platform on which to counter a long history of purposefully maligned representation.
FX’s ‘Y: The Last Man’ Hopes to Spark Serious Discussions on Gender and Identity
“We really recognized the opportunity to blow up the binary,” said executive producer, Nina Jacobson.
‘Dave’ Season 2 Teaser: Go Back Inside the Wild Mind of Lil Dicky
The second season of “Dave” will debut on FXX on June 16.
‘Black Narcissus’ Review: FX’s Adaptation Focuses on Desire and Little Else
Beautiful but melancholic, it’s hard to say that this new contemplative incarnation of the classic film justifies its three-hour running time.
‘A Wilderness of Error’ Director Marc Smerling Didn’t Want a Gotcha Moment
“Murder stories are particularly spiky,” said Smerling, who co-wrote and produced “The Jinx.”
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