‘Thirteen Lives’ Score Gave the Tham Luang Cave Its Own Sound
Editor James D. Wilcox, composer Benjamin Wallfisch, and supervising sound editors Oliver Tarney and Rachael Tate discussed the Ron Howard film at IndieWire’s Consider This FYC Brunch.
Editor James D. Wilcox, composer Benjamin Wallfisch, and supervising sound editors Oliver Tarney and Rachael Tate discussed the Ron Howard film at IndieWire’s Consider This FYC Brunch.
“We did not expect the success” of the first movie, producer Ram Bergman said at the IndieWire FYC Consider This Brunch.
How do you make a movie that feels like it takes place largely in someone’s head? Iñárritu’s latest mixes reality, memory, and fantasy with Fellini-esque flair.
Composer Nathan Johnson and editor Bob Ducsay discussed their work on the film at the IndieWire Consider This FYC Brunch.
Alex Somers discussed composing the score for the Jennifer Lawrence film at IndieWire’s Consider This FYC Brunch.
At IndieWire’s Consider This FYC Brunch, Neugebauer revealed how flash floods, hurricanes, and the pandemic delayed filming of the Apple TV+ film.
At the IndieWire Consider This FYC Brunch, sound designer Martin Hernandez spoke about working on the Alejandro González Iñárritu film.
Supervising sound editors Oliver Tarney and Rachael Tate took advantage of water’s unique traits to create a horrifying ambiance. Hear them and more speak at the IndieWire FYC Consider This Brunch.
Much like the clothing of Wakanda was fueled by Afrofuturism, Ruth Carter looked to Mayan history to design Talokan. Watch her and producer Nate Moore talk about it at the IndieWire FYC Consider This Brunch.
Sacha Jenkins has made films about Rick James, the Wu-Tang Clan, and Louis Armstrong. He thinks the greatest Black musicians have more similarities than differences.
Panels featured artists who worked on “Thirteen Lives,” “Black Panther: Wakanda Forever,” “Louis Armstrong’s Black & Blues,” “Causeway,” “Glass Onion: A Knives Out Mystery,” and “Bardo, False Chronicle of a Handful of Truths.”
Take a look behind the scenes of IndieWire’s celebration of the year’s best films.