Martin Scorsese VFX Vs. Ang Lee VFX: Here’s Why ‘The Irishman’ Wins
Between “The Irishman” and “Gemini Man,” it’s no contest: Chasing the latest tech innovations only works in service of strong storytelling.
Between “The Irishman” and “Gemini Man,” it’s no contest: Chasing the latest tech innovations only works in service of strong storytelling.
Ang Lee’s latest high frame rate experiment “Gemini Man” is one of the biggest bombs of the fall movie season.
Todd Phillips’ DC Comics origin story has the last laugh on a Columbus Day weekend that is off more than 20% from 2018.
Also in our box-office preview: “The Addams Family” and “Gemini Man” battle for second place, while Netflix opens two movies.
While the film world bemoans another high frame rate film, many are missing what Lee has actually accomplished.
Weta Digital has created the most believable CG human for Ang Lee’s latest experiment in 3D high-frame rate cinema.
It’s a de-aging VFX Oscar face-off between Martin Scorsese’s “The Irishman” and Ang Lee’s “Gemini Man,” with Lola also contending with “Captain Marvel.”
There’s plenty of appeal to watching Smith’s assassin battle a younger version of himself, but Lee’s high frame rate is a distraction once again.
Ang Lee unveiled “Gemini Man” to journalists today and explained why he was drawn again to high frame rates cinematography and creating a 23-year-old Will Smith.
Director Ang Lee’s love of jaw-dropping special effects will be on full display in the sci-fi blockbuster.
Paramount unveiled a double dose of Will Smith on Tuesday, with director Ang Lee improving high frame rate and Weta Digital perfecting a digital human.
Ang Lee returns with a Will Smith action vehicle shot at 120 frames per second.