Daniel Hart and Michael Abels swap stories about composing in unfamiliar languages, playing medieval instruments, and subverting traditional musical expectations.
Paul Thomas Anderson shares his love for Jonathan Demme, Christopher Nolan, Quentin Tarantino, and Adam Sandler.
From “Doctor Strangelove” to “Fargo,” “Pulp Fiction,” and “Roma,” these Best Picture nominees deserved to go all the way.
Peele says watching himself act onscreen is “a bad kind of masturbatory.”
Universal is sticking with Peele after the successes of “Get Out” and Us.”
In these days of social upheaval, these films offer valuable insights into modern black struggles.
Peele was at one point rumored to be flirting with the idea of a followup to his Oscar-winning horror smash.
“Get Out” and “Us” have earned Peele comparisons to Hitchcock, but it turns out that the directors have something very specific in common.
The “Get Out” director appears alongside many black film scholars, directors, and actors in Shudder’s first original documentary.
As the actress tackles her first meaty TV role on Starz’s “Counterpart,” she reflects on the path that brought her here.
Sean McKittrick and Raymond Mansfield are on a roll, but it hasn’t all been smooth sailing.
The category isn’t just a problem for blockbusters; it works against the possibility that marginalized perspectives can actually become mainstream.
