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/ By Zack Sharf

Indie Filmmakers 30 and Under You Need to Know, From Xavier Dolan to J.D. Dillard

The future of independent cinema is in very good hands thanks to these talented young filmmakers.

Jun 7, 2017 10:55 am /

Film

/ By Zack Sharf

11 Great Indie Filmmakers 30 and Under You Need to Know

Jun 7, 2017 10:52 am /

News

/ By Laura Berger

Naomi Watts and Jessica Lange to Star in New Gia Coppola Film

Naomi Watts and Jessica Lange to Star in New Gia Coppola Film

Mar 21, 2016 1:00 pm /

News

/ By Kevin Jagernauth

Naomi Watts & Jessica Lange To Star In Gia Coppola’s ‘The Secret Life Of The Lonely Doll’

Naomi Watts & Jessica Lange To Star In Gia Coppola’s ‘The Secret Life Of The Lonely Doll’

Mar 18, 2016 3:51 pm /

News

/ By Inkoo Kang

Newcomer Rebecca Thomas to Direct Adaptation of John Green’s ‘Looking for Alaska’

Newcomer Rebecca Thomas to Direct Adaptation of John Green’s ‘Looking for Alaska’

Jun 25, 2015 1:00 pm /

Features

/ By Laura Berger

Women Directed 17 of the Top 250 Grossing Films of 2014

Women Directed 17 of the Top 250 Grossing Films of 2014

Jan 8, 2015 9:59 am /

News

/ By Max O'Connell

This Week on Home Video: Blaxploitation Flicks and Godzilla Movies

This Week on Home Video: Blaxploitation Flicks and Godzilla Movies

Sep 9, 2014 5:17 pm /

Features

/ By Anne Thompson

‘Palo Alto,’ Now on iTunes/VOD, Plants First-Timer Gia Coppola Firmly in the Family Business

‘Palo Alto,’ Now on iTunes/VOD, Plants First-Timer Gia Coppola Firmly in the Family Business

Aug 8, 2014 1:03 pm /

News

/ By Max O'Connell

Now Streaming: ‘Sorcerer’ and ‘Palo Alto’ Hit VOD

Now Streaming: ‘Sorcerer’ and ‘Palo Alto’ Hit VOD

Aug 5, 2014 3:30 pm /

Features

/ By Max O'Connell

Why Gia Coppola Was Embarrassed to Show Her Family ‘Palo Alto’

Why Gia Coppola Was Embarrassed to Show Her Family ‘Palo Alto’

Aug 5, 2014 9:50 am /

News

/ By Cain Rodriguez

Watch: Music Videos For Mary Elizabeth Winstead’s “Did We Live Too Fast” & Gia Coppola Directed Blood Orange Spot

Watch: Music Videos For Mary Elizabeth Winstead’s “Did We Live Too Fast” & Gia Coppola Directed Blood Orange Spot

Jun 18, 2014 9:05 am /

News

/ By Eric Eidelstein

Watch: This Gia Coppola-Directed Music Video is Almost as Good As a Jane Fonda Workout Tape

Watch: This Gia Coppola-Directed Music Video is Almost as Good As a Jane Fonda Workout Tape

Jun 9, 2014 11:39 am /

‘Portlandia’ Star Carrie Brownstein on How ‘Six Feet Under’ Inspired Her To Take Risks on TV — Turn It On Podcast

Also: The story behind her favorite “Portlandia” episode of all time, “The Story of Toni and Candace,” and whether she and Fred Armisen will ever revisit the show.

Emmys: Will ‘Handmaid’s Tale’ Triumph Over ‘Game of Thrones,’ and ‘Atlanta’ Over ‘Mrs. Maisel’? — Screen Talk Emmy Edition

Episode 13: The outstanding drama, comedy, and limited series Emmy races may appear to have their frontrunners, but surprises are possible at next month’s ceremony.

Oscar Season is Imminent, But Don’t Forget About These Smaller Films — IndieWire’s Movie Podcast

There are many exciting movies around the corner, but we already have much to celebrate.

‘The Handmaid’s Tale’ Producer Bruce Miller On How the ‘ER’ Pilot Changed the Way He Writes — Turn It On Podcast

The Emmy-nominated showrunner discusses how 1994’s two-hour “ER” premiere “24 Hours” changed TV. Plus: His favorite “The Handmaid’s Tale” episode.

Criterion’s ‘The Tree of Life’ Is Not a Director’s Cut, but a New Movie From Terrence Malick

Malick says that the new, 188-minute edit of his 2011 drama starring Brad Pitt is another version altogether.

Spike Lee’s Longtime Editor: ‘BlacKkKlansman’ Was His Quickest Cut Since ‘Do the Right Thing’

Barry Alexander Brown tells IndieWire about the pair's long-time working relationship, the important lesson he took from “Malcolm X,” and discovering that the actual David Duke was in Charlottesville.

‘Madeline’s Madeline’: Why the Dreamy Movie’s Surreal Imagery Took Six Years and Many Experiments to Get Right

How the melding of Josephine Decker and Ashley Connor’s bold visions and experimental backgrounds resulted in one of the year’s most visually astounding films.

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