Interview: Joshua Oppenheimer Talks ‘The Look Of Silence,’ The Influence Of Ozu And Bresson, And More
Interview: Joshua Oppenheimer Talks ‘The Look Of Silence,’ The Influence Of Ozu And Bresson, And More
Interview: Joshua Oppenheimer Talks ‘The Look Of Silence,’ The Influence Of Ozu And Bresson, And More
Interview: Eskil Vogt Talks Award Winning ‘Blind,’ Working With Joachim Trier & The Blind-Woman-As-Victim Cliche
Göteborg Review: Mark Cousins & Mania Akbari’s Epistolary Essay ‘Life May Be’
Göteborg Review: Enigmatic Paranoia Drama ‘Parabellum’
Interview: Liv Ullmann On Directing, Twitter And Tricking Ingmar Bergman With Tears
Göteborg Review: Inspiring, Absorbing Studio Ghibli Doc ‘The Kingdom Of Dreams And Madness’ Is A Must For Miyazaki Fans
Göteborg Review: ‘Food Inc.’ Director Robert Kenner’s ‘Merchants Of Doubt’ Takes On Spin Doctors
Göteborg Review: Isabel Coixet’s ‘Learning To Drive’ Starring Patricia Clarkson & Ben Kingsley
Göteborg Review: Danis Tanovic’s ‘Tigers’ Gets Claws Out For Tale Of Multinational Greed
Göteborg Review: ‘Ruth & Alex’ Starring Diane Keaton, Morgan Freeman & Cynthia Nixon
Göteborg Review: Uproarious Doc Celebrates/Mourns The Turkish Movie Culture Of ‘Remake, Remix, Rip-Off’
Review: ‘Easy Money: Hard To Kill’ Starring Joel Kinnaman Is A Worthy If Not Hugely Inventive Sequel