S.S. Rajamouli’s historical epic was an obvious choice for India’s Oscar submission, but even without being the country’s official pick, its awards season journey is just getting started.
Nolan has no clue what his next project will be, but he “definitely” wants to come back to India at some point in the future.
SXSW: Arati Kadav’s debut merges B-movie aesthetics with Hindu mythology in a strange gamble that bodes well for the filmmaker’s potential.
Episodes of “Last Week Tonight” on India’s Hotstar streaming platform have been re-edited with jarring results.
Tamil writer-director Karthik Subbaraj follows a group of deaf-mute survivors with plenty filmmaking trickery, but a little too much formula.
While the replacement of the country’s film certification board chairman is a step in the right direction, there’s still work to be done.
Rahul Jain’s debut feature is engineered to demolish the barrier between empathy and action, to close the gap between slaves and consumers.
Indian censors continue to hold back the country’s movies, and silencing a new film about women’s rights is the latest example that the situation shows no sign of improvement.
Graphic language and sex scenes were excised, while anti-smoking disclaimers were added.
This heartfelt drama is admirable for its sincere treatment of issues troubling Indian society, but it falls short in the filmmaking department.
This historical epic about the year the British left India for good leaves much to be desired.
Although Pakistan technically ended its ban in January, the country’s government continues to censor Indian films.
