Industrial Light & Magic
Series creators Favreau and Dave Filoni discussed creating Mandalore and more strategic uses of ILM's StageCraft Volume.
"It’s a little spooky. I don’t think I even want to know how it works, but it works," Ford said of seeing himself de-aged for the first time.
ILM's innovative virtual production platform was used as an interactive lighting tool for Christian Bale's Gorr the God Butcher intro and the elaborate Battle of Indigarr.
Taika Waititi tells IndieWire about moving the MCU away from "a tennis ball on the ceiling" and into the LED volume of ILM's StageCraft.
Director Colin Trevorrow used more animatronic dinosaurs than ever before alongside ILM's CG creatures, with the Joker-inspired Giga as the standout.
The tiny droidsmith puppet was a throwback to Frank Oz and has become an instant fan favorite.
ILM developed a markerless, light-based performance capture system to de-age Robert De Niro, Al Pacino, and Joe Pesci and to preserve their Oscar-contending performances.
"Star Wars" luminaries gathered at the Academy Thursday night to tout ILM's industry-changing tech, which looms large on Martin Scorsese's "The Irishman" and Jon Favreau's "The Mandalorian."
The director showed Industrial Light & Magic "Nosferatu" and "Frankenstein" when creating the new Indoraptor hybrid.
Director Howard had Industrial Light & Magic add a space monster to increase the danger in dramatizing Solo's infamous run in less than 12 parsecs.
Industrial Light & Magic had to do a last-minute redesign when the creature wasn't scary enough. But they made the right choice by adding teeth and no eyes.
With the stunning OASIS, highlighted by the spot-on virtual recreation of the Overlook, Industrial Light & Magic becomes the early VFX Oscar frontrunner.
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