“Star Wars” luminaries gathered at the Academy Thursday night to tout ILM’s industry-changing tech, which looms large on Martin Scorsese’s “The Irishman” and Jon Favreau’s “The Mandalorian.”
The director showed Industrial Light & Magic “Nosferatu” and “Frankenstein” when creating the new Indoraptor hybrid.
Director Howard had Industrial Light & Magic add a space monster to increase the danger in dramatizing Solo’s infamous run in less than 12 parsecs.
Industrial Light & Magic had to do a last-minute redesign when the creature wasn’t scary enough. But they made the right choice by adding teeth and no eyes.
With the stunning OASIS, highlighted by the spot-on virtual recreation of the Overlook, Industrial Light & Magic becomes the early VFX Oscar frontrunner.
Industrial Light & Magic walked a fine line between reality and fantasy with director Ryan Coogler on Marvel’s cultural phenomenon.
Integral animation and VFX software dominated the Sci-Tech Awards Saturday night at the Beverly Wilshire.
Johnson went old and new school for the adorable Porgs, the sinister Snoke, and the return of the Jedi master.
