Quentin Tarantino Confirms ‘Inglourious Basterds’ Role Was Written for Adam Sandler
Unfortunately Sandler had overlapping production obligations for Judd Apatow’s “Funny People” and Eli Roth was cast instead.
Unfortunately Sandler had overlapping production obligations for Judd Apatow’s “Funny People” and Eli Roth was cast instead.
Consider this a loving stress test of the “Once Upon a Time in Hollywood” director’s bold claim that: “If you truly love cinema with all your heart and with enough passion, you can’t help but make a good movie.”
For Tarantino, trying to sum up the “Once Upon a Time in Hollywood” Oscar winner is “like describing starshine.”
Oscar nominee Jackson had to convince “Pulp Fiction” director Tarantino to cast him for a voiceover in “Inglourious Basterds.”
The standing ovation for Baz Luhrmann’s “Elvis” clocked in at 12 minutes, but how does that stack up to other past Cannes premieres?
With one project left before Quentin Tarantino says goodbye to feature filmmaker, IndieWire looks back at the many unmade ideas the director has cooked up over the years.
“He didn’t believe in me from the get-go. Literally, the only reason he auditioned me is because there was no one left to audition.”
“I don’t want Diane Kruger or Brad Pitt to know your gun-slinging abilities,” Tarantino told Waltz.
Quentin Tarantino explains why writing Christoph Waltz’s “Inglourious Basterds” villain proved an unusual challenge.
Eli Roth shares several memorable Tarantino stories in Tara Wood’s new documentary, “QT8: The First Eight.”
“Dangerous fascism and white supremacist ideology can go to hell,” company co-founder Matthew Buchanan says.
With “Once Upon a Time in Hollywood” currently the talk of the town, our panel of critics reaches a consensus on Tarantino’s best movie.