This summer’s breakout hit feels like déjà vu to the star of similar smash “Crouching Tiger, Hidden Dragon,” but Yeoh is still hoping for real change in Hollywood.
Screenwriter Josh Singer has made meticulous research his hallmark, but Damien Chazelle’s Neil Armstrong biopic required even more of the Oscar winner.
The long-time Marvel star has nothing but love for the multi-million dollar franchise, but he’s started carving out a new space in indies like “Destroyer.”
The Indie Spirit nominee is still taken with Aneesh Chaganty’s clever screen-centric thriller, but its forward-thinking goes beyond just cool technology.
The filmmaker and actor tried something different for his third directorial outing: a genre film. It’s paid off, and could carry him all the way to the Oscars.
After more than two decades in Hollywood, the actor tells IndieWire he has hit upon a formula for professional satisfaction.
As Schnabel shows off his West Village home, he explains the intimate roots of his Vincent Van Gogh biopic, “At Eternity’s Gate.”
With his latest movies, Winter has found his groove as a non-fiction storyteller, and his current fixations come from a personal place.
Lee also spoke to IndieWire about the success of “Black Panther” and why he remains a committed film school professor.
With “Boy Erased” opening this week, the busy actor unpacks his stresses to IndieWire, from getting close to tough roles to avoiding Daniel Day-Lewis comparisons, and only getting better with every part.
For the 10th anniversary of “W.,” the filmmaker assess the challenges he faces in making movies that criticize the country.
The “Wildlife” star thrives in discomfort, and brings that power to the forefront for her finest role to date.
