The Best Autobiographical Movie of the Past Year Is the One the Oscars Forgot
Whereas Steven Spielberg spent decades building up to “The Fabelmans,” Mia Hansen-Løve perfected the art of autobiographical filmmaking early on.
Whereas Steven Spielberg spent decades building up to “The Fabelmans,” Mia Hansen-Løve perfected the art of autobiographical filmmaking early on.
The filmmaker doesn’t hesitate to break down the metaphors of his wild midnight movie and connections it has with his father’s own work.
Sundance initially refused to mention North Korea in the description of the movie, which contains an unprecedented look at an escape from the country.
Maite Alberdi’s heartfelt “The Eternal Memory” is a poignant romance that doubles as a metaphor for Chile’s dictatorship.
Sundance: And she’s not wrong, as the star tells IndieWire why she wanted to work with Englert on her remarkable feature debut, “Bad Behaviour.”
The “Nasty Baby” director and his star Jordan Firstman explain the strange odyssey behind their new Sundance provocation.
“I actually had no idea about ‘Searching’ before ‘Missing’ came to my plate, but I fell in love with the script while reading it,” the rising star told IndieWire.
“I sort of told everyone, ‘I don’t think I can do another thing like that,'” Kendrick told IndieWire of a rapid-fire press junket about her emotional new film.
“I want to be tested, and pushed, and broken open,” Deadwyler told IndieWire, describing what drew her to her award-winning turn in “Till.”
“New Body Rhumba” gave “White Noise” one of last year’s great endings. It should also give Murphy an Oscar nomination.
Designing a doll who can commit murder while remaining an internet icon is no easy task, as the filmmakers tell IndieWire.
The actress tells IndieWire about falling (artistically) in love with Daniels, Michelle Yeoh, everything bagels, and the “once-in-a-lifetime” magic of the already-iconic smash hit.