Fresh out of NYU, Seligman tells IndieWire how she explored bisexuality, sex work, and empowerment from a darkly funny Jewish lens in her impressive first feature.
The filmmaker has spent nearly two decades scaling up his work, but as he tells IndieWire, his first major blockbuster is actually setting the course for a return to indie outings, his way.
The Bob Odenkirk-starring actioner has some of that “John Wick” spice, but as Ilya Naishuller tells IndieWire, it’s mostly the product of leaning into the fun of the “excessive, but glorious.”
The Golden Globe-winning star and the Pulitzer Prize-winning screenwriter tell IndieWire how they approached the tough, but necessary work of bringing a new vision of the singer to life.
Brewer has been directing Black stories for over 15 years, but as he tells IndieWire, only recently began to question the decision.
The star of Disney’s animated “Raya and the Last Dragon” tells IndieWire the role was as scary and life-changing as her “Star Wars” turn. Maybe that’s why she had to do it.
The documentarian has always had a knack for getting his subjects to talk, but as he tells IndieWire, the pop star and her family proved to be uncommonly collaborative.
The Golden Globe nominee has spent four decades being “choosy,” from the thrill of Catwoman to the unexpected shake-up of “Married to the Mob.” As she tells IndieWire, her latest role exemplifies that adventurous bent.
The seven-time Oscar nominee tells IndieWire why she isn’t afraid of fighting for the truth of her characters, from Mamaw to Cruella, and every role in between.
When quarantine set in, Neill found a familiar sort of darkness overtaking his life. Then he turned on the camera.
The lyrics to “Do What You Gotta Do,” Fishback said, echo the story of Black Panther Chairman Fred Hampton and his girlfriend Deborah Johnson.
Two kids from New York connect to their Hawaiian culture in an adorable adventure comedy that made authentic casting a top priority, says filmmaker Jude Weng.
