Elisabeth Moss Loves Playing Messy Characters, but in Shirley Jackson, She Found One Like Herself
Moss and her co-star Michael Stuhlbarg talk making “Shirley,” a hallucinatory anti-biopic consistent with the work she has been doing all along.
Interviews
George Floyd Protests: Black Filmmakers Need to Tell This Story, Says Documentarian Stanley Nelson
The prolific filmmaker, who has captured several eras of the African American experience, shared his thoughts on the historical ramifications of this week’s protests.
Shane Carruth Is Quitting Filmmaking and Using His Anger to Help a Young Director
The “Primer” and “Upstream Color” director got candid with this thoughts on Hollywood and why he’s chosen to help an emerging talent.
Alexandre Desplat on Wes Anderson’s Amazing ‘French Dispatch’ and del Toro’s Musical ‘Pinocchio’
The prolific composer calls Wes Anderson’s new movie his “biggest” yet, and teases Guillermo del Toro’s “beautiful” animated “Pinocchio.”
Frank Oz Hasn’t Seen Baby Yoda, but Loved Netflix’s ‘Dark Crystal’ Prequel
As the famed Muppeteer prepares for an online reunion this weekend, he talks about some of the highlights from his Jim Henson days and beyond.
Paul Schrader Wants Netflix and Amazon to Save the World’s Biggest Film Festivals
As the filmmaker considers the future for his unfinished movie, he explains his big idea for a one-time solution.
How ‘Lady Bird’ and ‘Booksmart’ Prepared Beanie Feldstein for Her ‘Intimidating’ First Solo Lead
In “How to Build a Girl,” the actress takes on a different kind of coming of age story. She tells IndieWire how she tackled a role that scared her, even as she knew it was the right next step.
‘Valley Girl’: How Director Rachel Lee Goldenberg Turned the Cult Classic Into a Lively ’80s Musical
Martha Coolidge’s 1983 rom-com is a totally tubular Romeo and Juliet story, but Goldenberg explains to IndieWire how she found a deeper message in its jukebox retelling.
Craig Robinson Is Ready for ‘The Office’ Reunion, but ‘What We Do in the Shadows’ Lets Him Shine
The actor, who scores with a hilarious guest appearance in FX’s vampire comedy, explains how he keeps expanding his range.
John Waters Dishes on His Upcoming ‘Law and Order: SVU’ Episode
The Pope of Filth plays a pornographer on tonight’s extra special “Special Victims Unit.”
SXSW Film Head Explains Decision to Maintain Festival Competition Despite Cancellation
As the first major festival impacted by the coronavirus, SXSW provides a case study for other festivals to consider. Janet Pierson breaks it down.
‘Crip Camp’: Directors Jim LeBrecht and Nicole Newnham’s Documentary Uncovers a Forgotten History
The directors of Netflix’s “Crip Camp” discuss the state of accessibility and how their new documentary can be its own revolution.
Newswire
-
With First Virtual Co-Pro Market, Russian Producers Look Beyond Borders
-
Hear RZA Pay Tribute to Bruce Lee on New Song ‘Be Like Water’
-
‘Batwoman’ Showrunner On Introducing New Character Instead Of Straight Recasting Following Ruby Rose’s Exit – ATX
-
Looney Tunes Has Taken Elmer Fudd's Gun Away for HBO Max Revival
-
![‘Dickinson’ Emmy interviews: Showrunner Alena Smith, costume designer John Dunn and more [WATCH]](https://i2.wp.com/www.goldderby.com/wp-content/uploads/2020/06/dickinson-hailee-steinfeld.jpg?resize=230%2C135&ssl=1&w=300)
‘Dickinson’ Emmy interviews: Showrunner Alena Smith, costume designer John Dunn and more [WATCH]
