Andy Siara spent more than a decade playing in a beloved LA group that never quite “made it.” With his first film selling for the biggest deal in Sundance history, he’s left reeling from a breakout story that almost didn’t happen.
With “Hamilton” coming to Disney+, the stage and screen star considers the delay of his big summer movie, and what he’s gleaned from attending protests.
After years of total secrecy, Neil Druckmann and Halley Gross sit down for the first extensive spoiler-filled interview about the most ambitious story in modern video game history.
“Monsters and Men,” now streaming for free, was a response to the murder of Eric Garner. Here’s what it can teach us today.
The “King of Staten Island” director addresses the challenge of writing comedy in difficult times and what’s most important to him now.
Inspired by the activism of the past weeks, Williams has big plans to scale up his company and support young black filmmakers.
Moss and her co-star Michael Stuhlbarg talk making “Shirley,” a hallucinatory anti-biopic consistent with the work she has been doing all along.
The prolific filmmaker, who has captured several eras of the African American experience, shared his thoughts on the historical ramifications of this week’s protests.
The “Primer” and “Upstream Color” director got candid with this thoughts on Hollywood and why he’s chosen to help an emerging talent.
The prolific composer calls Wes Anderson’s new movie his “biggest” yet, and teases Guillermo del Toro’s “beautiful” animated “Pinocchio.”
As the famed Muppeteer prepares for an online reunion this weekend, he talks about some of the highlights from his Jim Henson days and beyond.
As the filmmaker considers the future for his unfinished movie, he explains his big idea for a one-time solution.
