Momoa also revealed to IndieWire that a particular gesture reserved for Timothée Chalamet’s character is actually meant for his real-life son.
Two years after wrapping Denis Villeneuve’s epic, the actress tells IndieWire that she’s still passionate about the film that showed her “true equality.”
After winning the Grand Jury Prize for his first (and so far, only) film, Harris expected a more traditional career rise. Thirty years later, he’s still feeling the regrets of what came next.
Never fear, horror fans: The second film in the planned trilogy doesn’t hold back on its big, bloody twists.
When the Emmy winner was cast in the Ridley Scott epic, Comer knew she would have to flip outdated stereotypes to build a part all her own.
Mia Hansen-Løve had long wanted to make an autofiction about married auteurs, but as she tells IndieWire, it didn’t quite click until Ingmar Bergman died.
Horror has always tackled timely themes, but even Greer is surprised at the ways in which David Gordon Green’s series has anticipated everything from MeToo to the Capitol riot.
Director Valdimar Jóhannsson and visual effects supervisor Fredrik Nord unpack the A24 movie’s creepy visual invention.
The director discussed the long journey to release Daniel Craig’s final Bond film and why he’s kept an open mind about distribution.
The newest star of the Bond universe tells IndieWire about working with writer Phoebe Waller-Bridge to make a different kind of “Bond girl.”
What’s next? Like his big sister Maggie, what he really wants is to direct.
The iconoclastic filmmaker, whose career spans five decades, reflects on his “lifetime struggle” to survive in an environment that insists on him being anything but himself.
