‘Halloween Kills’: Judy Greer Unpacks the Sequel’s ‘Pretty Crazy and Really Scary’ Shock Ending
Never fear, horror fans: The second film in the planned trilogy doesn’t hold back on its big, bloody twists.
Interviews
Jodie Comer Dominates ‘The Last Duel’ by Shattering Everything Audiences Expect from the ‘Movie Wife’
When the Emmy winner was cast in the Ridley Scott epic, Comer knew she would have to flip outdated stereotypes to build a part all her own.
‘Bergman Island’: How Mia Hansen-Løve Found Herself (And Her Work) in Her Most Personal Film Yet
Mia Hansen-Løve had long wanted to make an autofiction about married auteurs, but as she tells IndieWire, it didn’t quite click until Ingmar Bergman died.
‘Halloween Kills’ Star Judy Greer: People Love New Series Because of Its Zeitgeist-y Themes
Horror has always tackled timely themes, but even Greer is surprised at the ways in which David Gordon Green’s series has anticipated everything from MeToo to the Capitol riot.
‘Lamb’: How the Nordic Folk Horror Film Pulled Off Its Outlandish Special Effects Twist
Director Valdimar Jóhannsson and visual effects supervisor Fredrik Nord unpack the A24 movie’s creepy visual invention.
‘No Time to Die’ Director Cary Fukunaga on the Future of James Bond ‘Outside the Corporate Sphere’
The director discussed the long journey to release Daniel Craig’s final Bond film and why he’s kept an open mind about distribution.
Lashana Lynch Pitched an ‘Awkward, Anxious’ Female 007, and the ‘No Time to Die’ Team Listened
The newest star of the Bond universe tells IndieWire about working with writer Phoebe Waller-Bridge to make a different kind of “Bond girl.”
‘The Guilty’: How Jake Gyllenhaal Used His Broadway Chops to Pull Off a Pandemic Thriller in 11 Days
What’s next? Like his big sister Maggie, what he really wants is to direct.
‘Sankofa’: Haile Gerima Wants His Resistance Cinema to Inspire the Next Gen of Black Filmmakers
The iconoclastic filmmaker, whose career spans five decades, reflects on his “lifetime struggle” to survive in an environment that insists on him being anything but himself.
‘Wolf’: How George MacKay Totally Transformed Himself for a ‘Universal’ Exploration of Personal Identity
Exclusive: In their first interview, MacKay and filmmaker Nathalie Biancheri unpack the actor’s intense transformation into a wolf (sort of).
The Pandemic Paused Mélanie Laurent’s Studio Debut, but It Didn’t Stop Her from Directing
“The Nightingale” was just days away from shooting when it was shut down. But as Laurent tells IndieWire, she didn’t slow down, opting to shoot “The Mad Women’s Ball” instead.
‘Attica’: Filmmaker Stanley Nelson on Why the 1971 Prison Uprising Remains an ‘Evergreen’ American Story
TIFF: Director Stanley Nelson tells IndieWire how the nation’s “bloodiest one-day encounter” shaped the present-day state of criminal justice.
Newswire
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Wolfe Releasing Takes Worldwide Rights to Transgender Drama ‘Death and Bowling’ (EXCLUSIVE)
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Olivia Colman Is Obsessed With a Mother and Child in Maggie Gyllenhaal’s ‘The Lost Daughter’
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Kanye West Officially Changes His Name To “Ye,” With Judge’s Approval Today
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The Great Season 2: Gillian Anderson Is One Regal Mother in First Photos
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NFL Lawyer’s WFT Emails Revive Deflategate Questions of Fairness