The prolific filmmaker, who has captured several eras of the African American experience, shared his thoughts on the historical ramifications of this week’s protests.
The “Primer” and “Upstream Color” director got candid with this thoughts on Hollywood and why he’s chosen to help an emerging talent.
The prolific composer calls Wes Anderson’s new movie his “biggest” yet, and teases Guillermo del Toro’s “beautiful” animated “Pinocchio.”
As the famed Muppeteer prepares for an online reunion this weekend, he talks about some of the highlights from his Jim Henson days and beyond.
As the filmmaker considers the future for his unfinished movie, he explains his big idea for a one-time solution.
In “How to Build a Girl,” the actress takes on a different kind of coming of age story. She tells IndieWire how she tackled a role that scared her, even as she knew it was the right next step.
Martha Coolidge’s 1983 rom-com is a totally tubular Romeo and Juliet story, but Goldenberg explains to IndieWire how she found a deeper message in its jukebox retelling.
The actor, who scores with a hilarious guest appearance in FX’s vampire comedy, explains how he keeps expanding his range.
The Pope of Filth plays a pornographer on tonight’s extra special “Special Victims Unit.”
As the first major festival impacted by the coronavirus, SXSW provides a case study for other festivals to consider. Janet Pierson breaks it down.
The directors of Netflix’s “Crip Camp” discuss the state of accessibility and how their new documentary can be its own revolution.
Hart’s film doesn’t alter the heartbreak of the book’s ending, but as she tells IndieWire, a slight narrative alteration helped deliver some key lessons.
