Shane Carruth Is Quitting Filmmaking and Using His Anger to Help a Young Director
The “Primer” and “Upstream Color” director got candid with this thoughts on Hollywood and why he’s chosen to help an emerging talent.
Interviews
Alexandre Desplat on Wes Anderson’s Amazing ‘French Dispatch’ and del Toro’s Musical ‘Pinocchio’
The prolific composer calls Wes Anderson’s new movie his “biggest” yet, and teases Guillermo del Toro’s “beautiful” animated “Pinocchio.”
Frank Oz Hasn’t Seen Baby Yoda, but Loved Netflix’s ‘Dark Crystal’ Prequel
As the famed Muppeteer prepares for an online reunion this weekend, he talks about some of the highlights from his Jim Henson days and beyond.
Paul Schrader Wants Netflix and Amazon to Save the World’s Biggest Film Festivals
As the filmmaker considers the future for his unfinished movie, he explains his big idea for a one-time solution.
How ‘Lady Bird’ and ‘Booksmart’ Prepared Beanie Feldstein for Her ‘Intimidating’ First Solo Lead
In “How to Build a Girl,” the actress takes on a different kind of coming of age story. She tells IndieWire how she tackled a role that scared her, even as she knew it was the right next step.
‘Valley Girl’: How Director Rachel Lee Goldenberg Turned the Cult Classic Into a Lively ’80s Musical
Martha Coolidge’s 1983 rom-com is a totally tubular Romeo and Juliet story, but Goldenberg explains to IndieWire how she found a deeper message in its jukebox retelling.
Craig Robinson Is Ready for ‘The Office’ Reunion, but ‘What We Do in the Shadows’ Lets Him Shine
The actor, who scores with a hilarious guest appearance in FX’s vampire comedy, explains how he keeps expanding his range.
John Waters Dishes on His Upcoming ‘Law and Order: SVU’ Episode
The Pope of Filth plays a pornographer on tonight’s extra special “Special Victims Unit.”
SXSW Film Head Explains Decision to Maintain Festival Competition Despite Cancellation
As the first major festival impacted by the coronavirus, SXSW provides a case study for other festivals to consider. Janet Pierson breaks it down.
‘Crip Camp’: Directors Jim LeBrecht and Nicole Newnham’s Documentary Uncovers a Forgotten History
The directors of Netflix’s “Crip Camp” discuss the state of accessibility and how their new documentary can be its own revolution.
‘Stargirl’ Ending: Filmmaker Julia Hart Explains the Change That Offered Emotional Impact
Hart’s film doesn’t alter the heartbreak of the book’s ending, but as she tells IndieWire, a slight narrative alteration helped deliver some key lessons.
As Studios Postpone Big Theatrical Releases, ‘The Climb’ Sees Opportunity — For Now
As the crowdpleaser prepares for a theatrical release despite coronavirus fears, the filmmaking duo explained why it mattered to them.
Newswire
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Zoë Kravitz Calls Out Hulu for Lack of Diverse Shows After ‘High Fidelity’ Cancellation
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There’s No Way AirPods Should Be This Cheap, But Amazon Has Them For Just $139 Right Now
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Hollywood Celebrates International Cat Day With Online Salutes
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Shark Week 2020: A Complete Guide to Discovery's 'Fincredible' Programming
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![Paul Mescal (‘Normal People’) on playing a character who ‘isn’t particularly articulate’ [Complete Interview Transcript]](https://www.indiewire.com/www.goldderby.com/wp-content/uploads/2020/07/paul-mescal.jpg?resize=230%2C135&ssl=1&w=300)
Paul Mescal (‘Normal People’) on playing a character who ‘isn’t particularly articulate’ [Complete Interview Transcript]