James Franco’s Movie Column: ‘The Club’ Turns Religious Sinners Into Cute Old Men
James Franco’s Movie Column: ‘The Club’ Turns Religious Sinners Into Cute Old Men
James Franco Talks Movies
James Franco’s Movie Column: Every Aspiring Filmmaker Should Watch ‘In the Shadow of Women’
James Franco’s Movie Column: Every Aspiring Filmmaker Should Watch ‘In the Shadow of Women’
James Franco’s Movie Column: The Best Movies of 2015
James Franco’s Movie Column: The Best Movies of 2015
James Franco’s Movie Column: Why Charlotte Rampling is Trying Something Different in ’45 Years’
James Franco’s Movie Column: Why Charlotte Rampling is Trying Something Different in ’45 Years’
James Franco’s Movie Column: Why Alfred Hitchcock Still Matters Today
James Franco’s Movie Column: Why Alfred Hitchcock Still Matters Today
James Franco’s Movie Column: Why ‘Mustang’ is the Best Film of the Year
James Franco’s Movie Column: Why ‘Mustang’ is the Best Film of the Year
James Franco’s Movie Column: The Freaky, Lonely World of Ulrich Seidl’s ‘In the Basement’
James Franco’s Movie Column: The Freaky, Lonely World of Ulrich Seidl’s ‘In the Basement’
James Franco’s Movie Column: ‘Tokyo Tribe’ is an Insane Movie About Something Real
James Franco’s Movie Column: ‘Tokyo Tribe’ is an Insane Movie About Something Real
James Franco’s Movie Column: Guy Maddin’s ‘The Forbidden Room’ is Crazy With Purpose
James Franco’s Movie Column: Guy Maddin’s ‘The Forbidden Room’ is Crazy With Purpose
James Franco’s Movie Column: ‘The Keeping Room’ is a Feminist War Movie
James Franco’s Movie Column: ‘The Keeping Room’ is a Feminist War Movie
James Franco’s Movie Column: Why ‘Goodnight Mommy’ Is a Fresh Take on the Horror Genre
James Franco’s Movie Column: Why ‘Goodnight Mommy’ Is a Fresh Take on the Horror Genre
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