Joey King and Abby Quinn star as young factory workers turned crusaders in this fact-based drama about a little-known case of corporate deception and the women who dared fight back.
Veena Sud’s entry into Amazon’s Enter the Blumhouse series is improbable, silly, stupid, and almost impossible to turn away from.
The third installment of Netflix’s wildly popular rom-com franchise was shot quietly alongside “Kissing Booth 2” in South Africa.
Star Joey King leans into her comedic chops, and the result is better than the original — but that’s hardly a big ask.
“The Kissing Booth” star says a man sitting next to her thought she had cancer and was afraid to sit next to her.
“Slender Man” does for YouTube what “The Ring” did for VHS, but really, really, really badly.
The seemingly fluffy rom-com is rife with sexist rhetoric, casual slut-shaming, and a “bad boy” lead who never met a put-down (or a punch) he didn’t like.
It was only a matter of time before he arrived on the big screen to give us all nightmares.
Review: James Franco’s Self-Indulgent ‘The Sound And The Fury’
Review: Roland Emmerich’s ‘Stonewall’ Is Covered In A Thick Blanket Of Badness
TIFF Review: Roland Emmerich’s Gay Rights Drama ‘Stonewall’
First Reviews: ‘Stonewall’ Is ‘An Embarrassing Punishment of a Film’
