‘Fear Street’ Trilogy Doesn’t End Here: Leigh Janiak Hopes to Create Horror Spin on MCU
Janiak tells IndieWire her hopes for the future of her already ambitious series: another trilogy, standalone films, TV shows, and maybe even more.
Janiak tells IndieWire her hopes for the future of her already ambitious series: another trilogy, standalone films, TV shows, and maybe even more.
“We’re already doing something weird and new in doing these three movies. Why not do this?” When it came time to map out a trilogy’s worth of material, filmmaker Leigh Janiak tells IndieWire why she decided to break some rules.
Showing glimpses of inspiration, Leigh Janiak closes out her trio of centuries-spanning horror stories with a chapter that succeeds more on ambition than execution.
Filmmaker Leigh Janiak tells IndieWire why she wanted to employ two different eras of slasher lore, from the self-reflexive ’90s to the blood-soaked ’70s.
The middle entry in Leigh Janiak’s Netflix horror trilogy brings the whole project into focus with a night of doom and dread in the forest that makes good on its promises.
As Janiak tells IndieWire, she always knew her trilogy needed to be R-rated, including some truly queasy kills that set it a cut above.
“There is a whole swath of people that are underrepresented in horror movies or die very quickly,” filmmaker Leigh Janiak told IndieWire. They take center stage in her trilogy.
Filmmaker Leigh Janiak’s ambitious, gory trilogy was first set up at Fox. Four years, one merger, and one pandemic later, it found a fitting home at Netflix.
“Honeymoon” writer-director Leigh Janiak returns with the first in a trilogy of R.L. Stine adaptations that works best when seen in full.
’90s Cult Fave ‘The Craft’ Is Getting A Remake
Interview: ‘Honeymoon’ Director Leigh Janiak Talks Relationships, Whippets & Michael Haneke As Horror Inspiration
Watch: Something’s Wrong with ‘Game of Thrones” Rose Leslie In This Chilling Trailer for ‘Honeymoon’