‘Brother and Sister’ Review: A Greatest Hits Retread Means a Lesser Effort from Arnaud Desplechin
Cannes: The beloved French director recycles themes from “Kings and Queen” and “A Christmas Tale” to disappointing effect.
Cannes: The beloved French director recycles themes from “Kings and Queen” and “A Christmas Tale” to disappointing effect.
Exclusive: Melvil Poupaud co-stars in Croisette mainstay Desplechin’s return to the festival, a drama about estranged siblings brought together by tragedy.
TIFF: Charlotte Salomon was murdered at Auschwitz. The radical work of art she completed in her short life makes you wish for a much better film.
Cotillard talks to IndieWire about the unique singing demanded of Leos Carax’s vivid movie musical.
Estelle Charlier and Romuald Collinet talk building nine different puppets to portray “baby Annette.”
Cannes: The filmmaker explained the process behind his movie’s memorable sex scene, and why he’s not crazy about streaming platforms despite Amazon’s support.
The Sparks Brothers wrote the music and lyrics to Leos Carax’s Cannes-bound musical.
Carax’s last directorial feature, 2012’s “Holy Motors,” also debuted at Cannes and went on to become one of the defining films of the decade.
The film would’ve premiered at Cannes this year, but the event’s delay and downsizing likely mean “Annette” will show up at later fall fests. If they happen.
Carax’s “Annette,” which is now filming with stars Adam Driver and Marion Cotillard, is a curious case of casting musical chairs.
Vanessa Filho’s debut is a tedious melodrama that only finds a pulse once it leaves its star behind.
When Arnaud Desplechin’s sweeping “8 1/2” homage opens in March, it’ll be 20 minutes longer than when it played Cannes last year.