Marc Shaiman Is an Oscar Away From EGOT, But the Real Prize Is ‘Mary Poppins Returns’
The composer and lyricist has adored “Mary Poppins” since he was four years old. His dream project could help him reach another professional milestone.
Mary Poppins Returns
‘Mary Poppins Returns’: Emily Blunt Explains Why ‘I Am Not Julie Andrews’
“There’s an underbelly to Mary Poppins,” said Blunt, who embraced the duality of the P.L. Travers character as she sang and danced and cried through Rob Marshall’s musical sequel.
‘Aquaman’ Rules Again, But Box-Office Down 15 Percent Compared to Last Year
The weekend’s only new wide release, “Escape Room,” underperformed compared to last year’s “Insidious: The Last Key.”
‘Aquaman’ Leads Year-End Openers as ‘Mary Poppins Returns’ Soars
“Aquaman”‘s real strength is overseas. And Clint Eastwood delivers yet again.
‘Aquaman,’ ‘Mary Poppins Returns,’ and ‘Bumblebee’: Merry Christmas Box Office
Thanks to “The Grinch” and “Green Book,” Universal will have more than “Marwencol” in its stocking.
‘Mary Poppins Returns’: What Lin-Manuel Miranda Really Wants to Do Is Direct
Even before “Hamilton,” Lin-Manual Miranda was on the road to a career in Disney musicals.
Holiday Oscar Movies Ranked, from ‘Mary Poppins Returns’ to ‘Destroyer’
Many are called but few are chosen in the holiday movie awards sweepstakes.
‘Bumblebee,’ ‘Mary Poppins Returns,’ ‘Mortal Engines,’ ‘Welcome to Marwen’ Enter Crowded VFX Race
The year-end contenders have much to offer in anticipation of Monday’s Oscar shortlist announcement.
‘Mary Poppins Returns’ Review: A Sweet But Imaginatively Bankrupt Sequel
Emily Blunt is spectacular, but the dull “Mary Poppins Returns” is too high on nostalgia, and too low on imagination.
‘Mary Poppins Returns’: Designing a Depression-Era London ‘Dipped in Reality’
Production designer John Myhre coined the term “London-y” for embracing Rob Marshall’s new take on the Disney classic.
Quirky Female Costuming Shapes ‘The Favourite’ and ‘Mary Poppins Returns’
Three-time Oscar winner Sandy Powell went from black-and-white in “The Favourite” to bolder eccentricity in “Mary Poppins Returns.”
‘Mary Poppins Returns’ Screens, and Emily Blunt Lands In the Oscar Race
In addition to her charismatic portrayal of the beloved nanny, the Disney re-imaginging should also raise Oscar hopes for a wide range of crafts.
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