Netflix Says 20 Million Hours of ‘Mudbound’ Have Been Streamed, Which Is ‘Dramatically Bigger’ Than a Theatrical Release
Netflix’s $12.5 million deal for “Mudbound” out of Sundance 2017 is looking like it paid off thanks to huge streaming numbers.
Mudbound
Dee Rees’ First Post-‘Mudbound’ Project Is a Sci-Fi Short That Reunites Her With Mary J. Blige and Rachel Morrison
The short, commissioned by Walmart as part of an ongoing partnership with the Academy, will debut during this weekend’s Oscars telecast.
Oscars 2018: ‘The Shape of Water’ Dominates Crafts, But Cinematographer Rachel Morrison Makes History
“The Shape of Water” landed seven craft nominations, but the “Mudbound” DP become the Academy’s first-ever female cinematography nominee.
Oscars 2018: 6 Craft Snubs We Don’t Want to See on Nominations Morning
Here’s hoping that Rachel Morrison (“Mudbound”) becomes the first female nominee for cinematography.
‘Mudbound’: Rachel Morrison’s Cinematography Could Change Oscar History
After making history with her ASC feature nomination, will Morrison become the first female cinematographer nominated for an Oscar?
American Society of Cinematographers Nominates Roger Deakins and Rachel Morrison
“Mudbound” cinematographer Morrison could be the first woman to gain an Oscar nomination for cinematography.
Mary J. Blige on Channeling Her Past Into ‘Mudbound’: Awards Season Spotlight Profile
“Once I completely surrendered to Florence, she set me free,” the R&B legend told IndieWire.
‘Mudbound’ Director Dee Rees on Mud as an Allegory for Race: Awards Season Spotlight Profile
“It’s the muck of our own creation that we’re stuck in,” said Rees. “It sticks to us, it’s impossible to keep out of our lives.”
Jason Mitchell on the Extreme Empathy of ‘Mudbound’: Awards Season Spotlight Profile
The actor’s behind the scenes bond with Jonathan Banks and Dee Rees made him feel comfortable during the movie’s most extreme scenes.
Oscars 2018: ‘The Shape of Water’ and ‘Mudbound’ Boast Unconventional Scores — Listen
Water and earth elements figured prominently in veteran Alexandre Desplat and newcomer Tamar-kali’s scores for Guillermo del Toro and Dee Rees.
‘Mudbound’ Director Dee Rees Breaks the Rules of Narrative and Finds Truth in the Cracks — Filmmaker Toolkit Podcast
“I always lean toward brokenness,” said Rees. “I’m interested in the cracks: If you understand the cracks, then you can maybe better understand the thing.”
How Costumes Reveal Character in Oscar Contenders ‘Murder on the Orient Express’ and ‘Mudbound’
The contrast between rural clothing in “Mudbound” and fashionable costumes in “Murder on the Orient Express” couldn’t be more revealing.
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