‘Ahed’s Knee’ Review: An Israeli Filmmaker Searches for Hope in the People of His Irredeemable Homeland
Cannes: If “Synonyms” was a full-throated howl, then “Ahed’s Knee” is the angry spittle that was still left in Nadav Lapid’s mouth.
Nadav Lapid
Israel’s Best Director Struggled With Jewish Identity For 20 Years, and It Fueled His Greatest Movie
“Synonyms” director Nadav Lapid fled Israel and swore he would never speak Hebrew again, but his body wouldn’t let him forget who he was.
Hypnotic First Trailer for Nadav Lapid’s ‘Synonyms’ Teases One of the Best Films of the Decade
Exclusive: Get a first look at one of the fall’s most essential new movies, a personal stunner from the director of “The Kindergarten Teacher.”
‘Synonyms’ Review: An Astonishing, Maddening Drama About National Identity — Berlin
Nadav Lapid goes to Paris for this brilliant and maddening story about an Israeli man desperate to be French.
Cannes Critics’ Week 2016 Lineup Includes Films By Chloë Sevigny, Nadav Lapid, And More
Cannes Critics’ Week 2016 Lineup Includes Films By Chloë Sevigny, Nadav Lapid, And More
Review: ‘Policeman’ Director Nadav Lapid’s ‘The Kindergarten Teacher’
Review: ‘Policeman’ Director Nadav Lapid’s ‘The Kindergarten Teacher’
7 Hidden Gems from New Directors/New Films
7 Hidden Gems from New Directors/New Films
Review: ‘Policeman’ A Strong, Haneke-Inspired Rumination On Israeli Society
Review: ‘Policeman’ A Strong, Haneke-Inspired Rumination On Israeli Society
Cannes Review: Can a Poem Save Your Life? Israeli Drama ‘The Kindergarten Teacher’ Makes the Case
Cannes Review: Can a Poem Save Your Life? Israeli Drama ‘The Kindergarten Teacher’ Makes the Case
Watch: Exclusive Trailer for Nadav Lapid’s Stormy Poetic Drama ‘The Kindergarten Teacher’
Watch: Exclusive Trailer for Nadav Lapid’s Stormy Poetic Drama ‘The Kindergarten Teacher’
Corinth Films Acquires North American Rights for “Policeman”
Corinth Films Acquires North American Rights for “Policeman”
NYFF ’11 Review: ‘Policeman’ A Strong, Haneke-Inspired Rumination On Israeli Society
NYFF ’11 Review: ‘Policeman’ A Strong, Haneke-Inspired Rumination On Israeli Society
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