Netflix Previews 21 Films Coming in 2020: David Fincher, Spike Lee, Charlie Kaufman, and More
Netflix will follow “The Irishman” and “Marriage Story” with another impressive collection of auteur-driven dramas.
Netflix
The IndieWire Team’s Favorite Movie and TV Stories of 2019
The year was crammed with film and TV news and IndieWire was there for all of it. Here’s what mattered to us.
‘I Lost My Body’: Scoring the Animated Feature as a Sound Design Experience
The Netflix animated Oscar contender blends music and sound design to evoke both love and danger.
Netflix Reveals Streamer’s Most-Viewed Movies and TV of 2019
“Murder Mystery” and “Stranger Things” Season Three were the most-viewed titles of the year in the U.S.
Awards Spotlight: Jonathan Pryce and Anthony Hopkins Found Different Ways Into ‘The Two Popes’
“The Two Popes” shows the human side of two dialectically opposed religious leaders who were able to talk through their differences.
David Fincher’s ‘Mank’ Is Halfway Done With Filming: ‘It’s Not Just a Biopic’
Fincher is returning to feature filmmaking for the first time since “Gone Girl” with a Netflix original about the making of “Citizen Kane.”
‘You’ Season 2: Penn Badgley Talks the ‘Isolating’ Nature of Playing Joe
IndieWire spoke with Badgley about his character’s unexpected cultural resonance and viewers “cuddling up” with a killer.
‘BoJack Horseman’ Creator Calls Out Netflix, Amazon for Minimizing End Credits
Too many hardworking people contribute to a show for Netflix to minimize their efforts, Raphael Bob-Waksberg argues.
Trent Reznor Slams ‘Bird Box’: Scoring Movie Was a ‘F*cking Waste of Time’
“We thought, no one’s going to see this fucking movie,” Reznor says in a new interview about the Netflix blockbuster.
‘You’ Season 2 Review: A Dangerously Compelling Fish-Out-of-Water Story
Penn Badgley’s Joe Goldberg falls deeper into his denial that he is a bad guy and the villain of his own story.
For Santa Origin Story ‘Klaus,’ Production Designers Used Innovative 2D
The Annie nominees looked to “Sleeping Beauty,” “Apocalypse Now,” and “Breaking Bad” in taking 2D into the 21st century.
‘Lost in Space’ Review: Season 2 Plays It Safe, but There’s Still Plenty of Family-Friendly Fun
“Lost in Space” plays things too safe to truly stand out but it’s still wholesome fun for younger audiences and dedicated sci-fi fans.
Newswire
