Does PVOD Hurt the Box Office? For Universal, the Answer Appears to Be Nope
We ran the numbers: No matter when PVOD begins, movies see an average of 84 percent of their box office in the first three weeks.
Nobody
‘F9’ and ‘A Quiet Place Part II’ Thrive in Theaters, but Home Is Where the Profit Is
Whether a movie’s time in theaters is long or short, VOD is doing a lot of heavy lifting when it comes to the studios’ bottom line.
‘Nobody’: Script for Potential Sequel to Bob Odenkirk Film Is in the Works
A “Nobody” sequel hasn’t been greenlit, but Derek Kolstad, who wrote the original film, is already working on a script for a second film.
‘Wrath of Man,’ ‘Nobody’ Lead VOD Box Office, ‘Queen Bees’ Clicks on Premium
Home-viewing action, at least as reported, isn’t as intense as at theaters right now. But the maneuvering may be just as important.
‘The Marksman’ Joins ‘Nobody’ and ‘Nomadland’ as VOD Chart Leaders
Liam Neeson, a one-time Best Actor nominee, continues his action-hero success on VOD while this year’s Oscar winners were swift to fade.
Oscar Winners Thrive on VOD Charts, but Bob Odenkirk’s ‘Nobody’ Tops Them All
“Promising Young Woman,” “Nomadland,” “Minari,” and “The Father” see Oscar bumps on VOD. At Netflix, it’s like the Oscars never happened.
‘Nobody’ Does It Better as Universal Scores Another PVOD Success
Universal seems to have found a profitable formula after a year of innovation and improvisation. Also strong: Roadside Attractions’ “The Courier.”
‘Godzilla vs. Kong’ Leads Box Office, but the Giant Lizard Is Already in Retreat
“Nobody” starring Bob Odenkirk held strong in tandem with its PVOD debut, but the MonsterVerse blockbuster looks shaky.
‘Nobody’ Tops Box Office This Weekend, but ‘Godzilla vs. Kong’ Is the Real Test
As theaters reopen, action hero Bob Odenkirk benefitted from good timing. On March 31, everything changes with the battle royale that is “Godzilla Vs. Kong.”
‘Nobody’ Director on Potential ‘John Wick’ Universe and Building the Craziest Fight Scene of the Year
The Bob Odenkirk-starring actioner has some of that “John Wick” spice, but as Ilya Naishuller tells IndieWire, it’s mostly the product of leaning into the fun of the “excessive, but glorious.”
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‘Speak No Evil’ Review: A Queasily Effective Danish Horror Film on the Discomfort of Strangers
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Elvis Costello Delivers Energetic Performance of ‘Farewell, OK’ on ‘Colbert’
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Sundance Review: Chloe Okuno’s ‘Watcher’
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Drag Race Recap: RuPaul Introduces the Show's Willy Wonkiest Twist Yet — Plus, Which Queen Dropped the Ball?
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UConn, NCAA Blasted Over Due Process in Kevin Ollie Award Decision