Ava DuVernay Meets Raoul Peck: How Black Narratives Collide In Two New Documentaries — NYFF
NYFF Critics Academy participant Aramide Tinubu looks at two new documentaries that examine modern African American identity.
NYFF Critics Academy
Film Society of Lincoln Center Announces NYFF Artist Academy And Critics Academy Participants
The NYFF Critics Academy is a co-presentation of Film Comment magazine, a publication of Film Society of Lincoln Center, and IndieWire, with support from the latter’s parent company, Penske Media Corporation.
Apply Now For The 5th Annual New York Film Festival Critics Academy
This year’s fall workshop for aspiring critics will include the potential for participants from outside the New York area.
The Kings of Queens: ‘The Witness’ and ‘In Jackson Heights’ Examine a New York Borough, Then and Now
The Kings of Queens: ‘The Witness’ and ‘In Jackson Heights’ Examine a New York Borough, Then and Now
Second Chances in ‘Right Now, Wrong Then’ and ‘In the Shadow of Women’
Second Chances in ‘Right Now, Wrong Then’ and ‘In the Shadow of Women’
Le Boyhood: Gondry and Desplechin Take on the Coming of Age Story
Le Boyhood: Gondry and Desplechin Take on the Coming of Age Story
Outer-Borough Aliens: ‘Brooklyn’ and ‘In Jackson Heights’
Outer-Borough Aliens: ‘Brooklyn’ and ‘In Jackson Heights’
How ‘The Martian’ Predicted ‘Project Greenlight’s Diversity Problem
How ‘The Martian’ Predicted ‘Project Greenlight’s Diversity Problem
‘The Lobster,’ ‘Chevalier,’ and the Importance of New Greek Cinema
‘The Lobster,’ ‘Chevalier,’ and the Importance of New Greek Cinema
In ‘Bridge of Spies’ and ‘Cemetery of Splendor,’ National Identity Comes Under Scrutiny
In ‘Bridge of Spies’ and ‘Cemetery of Splendor,’ National Identity Comes Under Scrutiny
Dream Visions From Guy Maddin and Apichatpong Weerasethakul
Dream Visions From Guy Maddin and Apichatpong Weerasethakul
Chantal Akerman’s ‘No Home Movie’ and Miguel Gomes’ ‘Arabian Nights’ Go Outside the Frame
Chantal Akerman’s ‘No Home Movie’ and Miguel Gomes’ ‘Arabian Nights’ Go Outside the Frame
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