“Armageddon Time” underperformed while “TÁR” is finding its legs. Steven Spielberg’s “The Fabelmans” is an open question. How will these movies find their way through an unpredictable awards race?
We debate the future of Marvel movies, arthouse audiences, and the Academy and Golden Globe awards.
Exclusive: Host Rico Gagliano returns to dissect the impact of individual cinemas on historic film releases in the second season titled “Only in Theaters.”
What does festival buzz look like when everyone’s at home? We investigate the possibilities.
It’s National Podcast Day! Record high-quality podcasts without breaking the bank with these key podcasting accessories recommended by IndieWire pros.
As Nolan jumps from Warner Bros. to Universal, it’s worth considering how few filmmakers can attract this level of support.
We dig into the new metrics in a streaming universe. as streamers routinely block grosses and hide their numbers.
“There’s no blood, there’s no guts, there are no serial killers…nobody dies, but nobody quite gets out alive either,” said Stamos.
The 12-episode podcast is produced for Audible by Lorne Michaels’ Broadway Video Enterprises.
The “Mank” director is juggling a handful of upcoming projects, including a prequel to the 1974 “Chinatown” film.
And, more importantly, what does Marvel want?
Christopher Nolan is pissed, and he’s not the only one. Did Warner Bros. cross a line?
