Why ‘Parasite’ Could Be a Major Oscar Contender — IndieWire’s Movie Podcast
Screen Talk, episode 254: Here’s what it would take for Bong Joon-ho’s Palme d’Or winner to score in major categories.
Podcasts
‘The Irishman’ Trailer: How This Early Look at Scorsese’s Latest Sets Oscar Expectations
Screen Talk, episode 253: The costly Netflix production has a premiere date and a trailer for its big Oscar play. Here’s what to expect.
‘Cats’ Trailer: Genius Marketing or Hot Mess? — IndieWire’s Movie Podcast
Screen Talk, episode 251: The first glimpse of “Cats” yields much speculation. Plus: Opening night films for TIFF and Venice in focus.
How Big Changes at Amazon, Netflix, and Sundance Reveal the Industry’s Transitional Moment
Screen Talk, episode 249: Independent film is going through some big changes, and this busy week put them in perspective.
‘Toy Story 4’ Is Great, But Animation Still Can’t Get No Respect
Screen Talk, episode 248: Is the new “Lion King” animation? Disney is avoiding that designation. Here’s why.
Netflix Killed Original ‘Russian Doll’ Ending Because of ‘Maniac’ – Which Only Made It Better
Filmmaker Toolkit Podcast, Ep 87: Co-creator/director Leslye Headland talks about sticking the perfect landing on an impossible ending.
Why the 2020 Documentary Oscar Race Could Be a Bloodbath
Screen Talk, episode 147: The year is halfway over and there’s a lot more to come, but the non-fiction field is already packed.
Limited Series Tempt Movie Stars to Television, But Who Will the Emmys Embrace?
And with its difficult subject matter, can Netflix’s “When They See Us” break into a loaded category?
‘Late Night’ Is Telling Us Something About the Anxiety Surrounding Theatrical Distribution
Screen Talk, episode 246: With uncertain prospects for “Late Night” following its $13 million Sundance deal, the industry is facing big questions about the marketplace.
With ‘Homecoming,’ Sam Esmail Aspired for More Than Just ‘Mr. Robot’-Style Cliffhangers
Toolkit Podcast: Esmail on using old film scores, shooting in a 1:1 aspect ratio, and how writing/directing “Mr. Robot” is unsustainable.
Why Quentin Tarantino’s ‘Once Upon a Time in Hollywood’ Will Require Multiple Viewings
Screen Talk, episode 245: Tarantino’s nostalgic epic came home from Cannes empty-handed, but even audiences who saw it there may need to take a closer look.
Bill Hader: How the ‘Barry’ Creator Found His Cinematic Voice in ‘Ronny/Lily’
Filmmaker Toolkit Podcast, Ep 83: Hader on trusting his directing instincts as he looks back at Season 2.
Newswire
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London Film Festival Posts 6% Rise in Attendance for 2019 Edition
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Watch Snoop Dogg Join Morris Day for ‘Lil Mo Funk’ on ‘Kimmel’
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Cannes Unveils Line-Up For Hong Kong Event; Rakuten TV Launches AVOD Offering; EFA Animated Film Noms – Global Briefs
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Little Mermaid Live!: Behind-the-Scenes Video Reveals What Disney's Musical Event Will Actually Look Like
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2020 Oscar Predictions: Best Picture (UPDATED: October 15)
