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News

/ By Kevin Jagernauth

‘Trainwreck,’ ‘Steve Jobs,’ ‘Spotlight,’ ‘Carol,’ ‘The Martian,’ ‘Sicario,’ And More Land WGA Screenplay Nominations

‘Trainwreck,’ ‘Steve Jobs,’ ‘Spotlight,’ ‘Carol,’ ‘The Martian,’ ‘Sicario,’ And More Land WGA Screenplay Nominations

Jan 6, 2016 1:44 pm /

Features

/ By The Playlist Staff

The 20 Best Documentaries Of 2015

The 20 Best Documentaries Of 2015

Dec 15, 2015 1:09 pm /

News

/ By Freja Dam

33% of 2015 Oscar-Submitted Docs Directed by Women

33% of 2015 Oscar-Submitted Docs Directed by Women

Oct 27, 2015 11:00 am /

Reviews

/ By Kate Erbland

Review: Amy Berg’s Brutally Unsettling ‘Prophet’s Prey’

Review: Amy Berg’s Brutally Unsettling ‘Prophet’s Prey’

Sep 18, 2015 4:40 pm /

News

/ By Steve Greene

Here Are All the Movies Opening Today, September 18; What Will You See?

Here Are All the Movies Opening Today, September 18; What Will You See?

Sep 18, 2015 10:54 am /

Features

/ By Erik McClanahan

12 Films To See In September

12 Films To See In September

Sep 1, 2015 11:31 am /

News

/ By Laura Berger

Trailer Watch: Amy Berg Tackles Cult Leader and Child Rapist Warren Jeffs in ‘Prophet’s Prey’

Trailer Watch: Amy Berg Tackles Cult Leader and Child Rapist Warren Jeffs in ‘Prophet’s Prey’

Jul 17, 2015 10:00 am /

News

/ By Nicholas Laskin

Watch: New Trailer For Amy Berg’s Powerful Polygamy & Mormonism Doc ‘Prophet’s Prey’

Watch: New Trailer For Amy Berg’s Powerful Polygamy & Mormonism Doc ‘Prophet’s Prey’

Jul 15, 2015 1:55 pm /

News

/ By Inkoo Kang

ArcLight Cinemas Spotlights “Exceptional” Women-Directed Docs in Summer Series

ArcLight Cinemas Spotlights “Exceptional” Women-Directed Docs in Summer Series

Jul 1, 2015 10:00 am /

Interviews

/ By Rodrigo Perez

Amy Berg Talks Thriller ‘Every Secret Thing,’ Roles For Strong Women, Her Hollywood Sex-Ring Exposé Doc & More

Amy Berg Talks Thriller ‘Every Secret Thing,’ Roles For Strong Women, Her Hollywood Sex-Ring Exposé Doc & More

May 14, 2015 1:06 pm /

Festivals

/ By Sarah Tuft

At Sundance 2015, Filmmakers Break The Silence Of Sexual Trauma

At Sundance 2015, Filmmakers Break The Silence Of Sexual Trauma

Feb 4, 2015 10:00 am /

Reviews

/ By Kate Erbland

Sundance Review: Amy Berg’s Chilling & Essential Polygamy & Mormonism Doc ‘Prophet’s Prey’

Sundance Review: Amy Berg’s Chilling & Essential Polygamy & Mormonism Doc ‘Prophet’s Prey’

Jan 29, 2015 4:12 pm /

‘Portlandia’ Star Carrie Brownstein on How ‘Six Feet Under’ Inspired Her To Take Risks on TV — Turn It On Podcast

Also: The story behind her favorite “Portlandia” episode of all time, “The Story of Toni and Candace,” and whether she and Fred Armisen will ever revisit the show.

Emmys: Will ‘Handmaid’s Tale’ Triumph Over ‘Game of Thrones,’ and ‘Atlanta’ Over ‘Mrs. Maisel’? — Screen Talk Emmy Edition

Episode 13: The outstanding drama, comedy, and limited series Emmy races may appear to have their frontrunners, but surprises are possible at next month’s ceremony.

Oscar Season is Imminent, But Don’t Forget About These Smaller Films — IndieWire’s Movie Podcast

There are many exciting movies around the corner, but we already have much to celebrate.

‘The Handmaid’s Tale’ Producer Bruce Miller On How the ‘ER’ Pilot Changed the Way He Writes — Turn It On Podcast

The Emmy-nominated showrunner discusses how 1994’s two-hour “ER” premiere “24 Hours” changed TV. Plus: His favorite “The Handmaid’s Tale” episode.

Criterion’s ‘The Tree of Life’ Is Not a Director’s Cut, but a New Movie From Terrence Malick

Malick says that the new, 188-minute edit of his 2011 drama starring Brad Pitt is another version altogether.

Spike Lee’s Longtime Editor: ‘BlacKkKlansman’ Was His Quickest Cut Since ‘Do the Right Thing’

Barry Alexander Brown tells IndieWire about the pair's long-time working relationship, the important lesson he took from “Malcolm X,” and discovering that the actual David Duke was in Charlottesville.

‘Madeline’s Madeline’: Why the Dreamy Movie’s Surreal Imagery Took Six Years and Many Experiments to Get Right

How the melding of Josephine Decker and Ashley Connor’s bold visions and experimental backgrounds resulted in one of the year’s most visually astounding films.

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