‘Greyhound’ Review: Tom Hanks Is Lost at Sea as a Navy Commander in Apple TV’s Rudderless WWII Movie
Tom Hanks tries to complicate his stoic image by playing an insecure naval commander, but “Greyhound” can’t see anything under the surface.
Reviews
New Movies: Release Calendar for July 3, Plus Where to Watch the Latest Films
Staying home? Good. Looking for something new to watch? Even better!
‘The Old Guard’ Review: Gina Prince-Bythewood Delivers Netflix’s Best 2020 Action Movie
Charlize Theron stars in a comic-book movie with a point of view, creating a marriage of expectations and twists unlike little else in the genre.
‘Desperados’ Review: Here’s the Netflix Rip-Off of ‘Bridesmaids’ and ‘Girls Trip’
There may be some sweetness deep in this Nasim Pedrad comedy, but it’s choked by obvious plotting and a litany of needlessly gross jokes.
‘The Outpost’ Review: A Harrowing Account of the War in Afghanistan’s Bloodiest American Conflict
Rod Lurie gives the “Black Hawk Down” treatment to the Battle of Kamdesh in this tribute to soldiers who died for an indefensible position.
‘Denise Ho: Becoming the Song’ Review: An Inspiring Portrait of the Hong Kong Activist
An engaging documentary charts the Cantopop icon’s journey from LGBTQ activist to pro-democracy freedom fighter, inspiring change worldwide.
‘Homemade’ Review: Netflix Quarantine Anthology Is Pure Filmmaking Talent in Bite-Sized Pieces
With memorable entries from Paolo Sorrentino, Kristen Stewart, Ana Lily Amirpour, and many others, this anthology project is a welcome snapshot of modern times.
‘Skyman’ Review: Found-Footage Alien Movie from ‘Blair Witch’ Director Is Less Scary Than Sad
Daniel Myrick’s look at one UFO obsessive is less invested in “The X-Files” ethos of “I want to believe” than the toll that can take on an innocent mind.
‘Hamilton’ Review: Disney+’s Faithful and Dynamic Recording of the Musical Phenomenon Will Leave Fans Satisfied
Lin-Manuel Miranda’s musical masterpiece comes home in a dazzling version that feels less like a cash grab than it does a public service.
‘Slalom’ Review: An Abused Teen Skier Tries to Regain Control in This Harrowing Coming-of-Age Story
Cannes: Charlène Favier’s debut is a familiar story of sexual abuse, but it snaps across your face like a blast of cold mountain air.
‘Beats’ Review: Two Scottish Teens Rave Against the Dying of the Light in Propulsive Coming-of-Age Saga
Executive produced by Steven Soderbergh, this bittersweet bromance set in Scotland’s mid-’90s rave scene occasionally touches the sublime.
‘Love Affairs’ Review: Winsome Exploration of Love Is an Interconnected Romance with a Twist
Cannes: Emmanuel Mouret’s romance weaves together a series of tales, playing like a more serious “Love Actually” centered around one fated couple.
Newswire
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Mary ‘Mickey’ Diage, Capitol Records Staffer Going Back to the Beatles, Dies at 82
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As Slaveholder Statues Come Down, America’s Birthday Party Gets Weird
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‘The Outpost’ Director Rod Lurie On Looking Beyond Box Office Numbers To Find Validation In Films Released During Pandemic – Guest Column
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Christina Applegate on Decision to End Dead to Me With Season 3: 'We Felt This Was the Best Way to Tie Up the Story'
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![‘The Last Dance’ director Jason Hehir on ‘the turning point’ that changed the trajectory of the Michael Jordan doc [EXCLUSIVE VIDEO INTERVIEW]](https://i1.wp.com/www.goldderby.com/wp-content/uploads/2020/07/jasonhehir.jpg?resize=230%2C135&ssl=1&w=300)
‘The Last Dance’ director Jason Hehir on ‘the turning point’ that changed the trajectory of the Michael Jordan doc [EXCLUSIVE VIDEO INTERVIEW]