‘Parasite’ Review: Bong Joon-ho Delivers a Brilliant and Devastating Electric Shock of Economic Anxiety
The giddy, brilliant, and totally unclassifiable “Parasite” proves that Bong Joon-ho has become a genre unto himself.
Reviews
‘Once Upon a Time in Hollywood’ Review: Quentin Tarantino’s Weirdest Movie Gets Lost in History — Cannes
Tarantino’s ninth feature is a hangout movie that takes a liberal approach to Hollywood history.
‘Tommaso’ Review: Willem Dafoe Stars in Abel Ferrara’s Microbudget ‘Birdman’ — Cannes
Ferrara’s most personal film stars Dafoe in a gripping performance as a man haunted by his old life.
‘Frankie’ Review: Isabelle Huppert Delivers Her Most Vulnerable Performance Ever
Cannes: Ira Sachs’ gorgeous and tender Portugal-set drama shows a side of Isabelle Huppert you’ve never seen before.
‘Young Ahmed’ Review: Dardenne Brothers Deliver a Suspenseful Terrorist Coming-of-Age Tale
Cannes: While not their finest achievement, the Belgian auteurs’ look at a 13-year-old with murderous convictions still have plenty of insights.
‘Diego Maradona’ Review: A Gripping Saga of Soccer Legend’s Fall From Grace — Cannes
“Amy” director Asif Kapadia’s crafts an absorbing look at Maradona’s epic journey.
‘Portrait of a Lady on Fire’ Review: Céline Sciamma Unveils a Painterly Masterpiece — Cannes
Noémie Merlant and Adèle Haenel star as a painter and her subject in Céline Sciamma’s devastatingly unforgettable story of love and memory.
‘A Hidden Life’ Review: Terrence Malick’s Best Movie Since ‘The Tree of Life’ — Cannes
After seven long years of wandering in the desert, Terrence Malick returns with a shatteringly powerful story of faith in crisis.
Gaspar Noe’s Psychedelic Mockumentary ‘Lux Æterna’ Might Give You Seizures — Cannes Review
The “Climax” director takes an Yves Saint Laurent assignment and transforms it into a disorienting riff on the filmmaking process.
‘The Lighthouse’ Review: Robert Pattinson and Willem Dafoe Are Nautical Madmen in Gripping Psychodrama
Cannes: Robert Eggers follows up “The Witch” with the best movie about bad roommates ever made.
‘Zombi Child’ Review: Bertrand Bonello Proves that the Past Is Undead — Cannes
There’ve been a lot of movies about Voodoo culture and its colonialist history, but only Bertrand Bonello’s includes a speech about Rihanna.
‘The Whistlers’ Review: A Delightful Romanian Twist on ‘Ocean’s 11’ — Cannes
Corneliu Porumboiu’s enjoyable riff on the heist movie tradition has a unique hook, and is begging for an English language remake.
Newswire
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Film News Roundup: ‘Three Identical Strangers’ Feature Adaptation Taps ‘Bohemian Rhapsody’ Writer
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Watch James Blake Perform Romantic ‘I’ll Come Too’ During KCRW Live Session
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HBO Boss On ‘Game Of Thrones’ Finale Backlash, Coffee Cup Gate, Prequels Status And Why Spinoffs Aren’t In The Cards
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NCIS Season 17: [Spoiler] Will Return in Wake of Jaw-Dropping Finale Surprise
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![50% of ‘The Voice’ viewers say ‘Proof I’ve Always Loved You’ was Gyth Rigdon’s best performance in Season 16 finale [POLL RESULTS]](https://i0.wp.com/www.goldderby.com/wp-content/uploads/2019/04/The-Voice-Season-16-Top-13-Gyth-Rigdon.jpg?resize=230%2C135&ssl=1&w=300)
50% of ‘The Voice’ viewers say ‘Proof I’ve Always Loved You’ was Gyth Rigdon’s best performance in Season 16 finale [POLL RESULTS]
