Page and co-director Ian Daniel deliver an informative indictment of Nova Scotia’s history of pollution in black and indigenous communities.
Deborah Kampmeier’s film delves into the dark side of the entertainment industry, finding unexpected villains in the process.
Anna Winger’s new show takes a real-life story of religious rebellion and makes it fresh, thanks in part to a stunning performance by Shira Haas.
Star Hannah Marks also co-wrote the film’s script, which should appeal to fans of “Booksmart” and “For a Good Time, Call.”
Alla Kovgan’s look at the life of iconic dancer and choreographer Merce Cunningham will appeal to modern dance geeks, but has little for neophytes.
SXSW: Polly Draper’s refreshing take on a Jewish mother brightens Emma Seligman’s debut feature, which mines a wild premise for dark laughs.
The action star toplines a wacky actioner that feels — for better and for worse — like something Michael Bay would have made in the late ’90s.
David Simon’s penchant for carefully nuanced storytelling feels like watching a car crash in extreme slow motion, and it’s not working here.
Eisenberg’s performance is the giddy standout of a bizarre and half-baked Holocaust thriller that’s otherwise absent any sense of self.
A full-body ode to Baltimore and the incredible people who keep it dancing in spite of everything else.
Comedian Mae Martin writes and stars alongside Lisa Kudrow in a clever six-episode show about chasing straight girls and chasing highs.
SXSW: The romantic misadventures of singer-songwriter Goh Nakamura continue in Lynn Chen’s light and winsome sequel to “Daylight Savings.”
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