Shot in five days last December — because why not? — Perry’s self-produced soap opera scribble is a hilarious so-bad-it’s-good romp with too many twists to count.
It turns out that the writer of “Traffic” and “Syriana” wasn’t the best person to make an $175 million kids movie about talking animals.
A fun, explosive, and even thoughtful action movie that updates Jerry Bruckheimer bombast for the modern age of multiplex cinema.
Anthony Jerjen’s questionably titled Ozarkian crime thriller explores the core ironies of a modern plague.
“Underwater” is a fun throwback to a time when all you needed to make a movie was a girl, a sinking sea lab, and some very gnarly monsters.
A star-studded cast and filmmaker Nicolas Pesce’s skill with horrific gore can’t save a baffling and emotionally empty retread.
Two decades and several million dollars into Ritchie’s career, his latest feels like a heavily cynical, a crass attempt to appease his “Aladdin” detractors.
This visually dense adaptation of the Andrew Lloyd Webber hit is at once too crazy for this world, and not quite crazy enough.
J.J. Abrams’ final entry in the blockbuster trilogy is not devoid of fun, but all that razzle-dazzle can’t obscure a hollow core.
A pacifistic love letter swaddled in a disconcerting number of facts about pigeons, the Blue Sky animated feature flies high when leaning into dumb jokes and silly action.
Ryan Reynolds leads a motley crew of rogue agents, hellbent on saving the world by any means necessary. Mostly, that means blowing things up.
Jake Kasdan’s star-packed sequel earns another life by amping up the emotion and adding in one hundred percent more The-Rock-playing-Danny-DeVito.
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