‘Coming 2 America’ Review: Eddie Murphy Offers the Right Kind of Fan Service in Funny-Enough Sequel
Fans of the original will find much to enjoy in this stuffed follow-up, but none of the gags hold as much appeal as watching Murphy back in action.
Fans of the original will find much to enjoy in this stuffed follow-up, but none of the gags hold as much appeal as watching Murphy back in action.
Slight and discursive even by Hong Sang-soo standards, “Introduction” will be less rewarding for newcomers than for longtime fans.
Berlin: An absorbing tale of grief and guilt, this compelling drama from Maryam Moghaddam and Behtash Sanaeeha has a slow-burn power.
Eddie Huang’s coming-of-age sports drama uplifts the Asian American struggle while falling into the same othering it purports to despise.
Berlin: Yngvild Sve Flikke’s Norwegian pregnancy comedy is fresh, funny, and feminist, with the year’s most unlikely animated hero at its heart.
Amy Poehler’s latest directorial outing for Netflix is well-meaning and respectful, but it also seems crafted for an audience already well-versed in its messaging.
Céline Sciamma’s “Portrait of a Lady on Fire” follow-up is only 72 minutes long, but it feels infinite.
“Chaos Walking” should’ve been the weirdest sci-fi blockbuster since “Cloud Atlas,” but this YA adaptation is too afraid of its own ideas.
Berlin: A pair of Mexico City cops reflects on the paradoxes of their jobs in Alonso Ruizpalacios’ unpredictable cinematic investigation.
Berlin: Copley is the haunting centerpiece of a half-baked character study more invested in disturbing questions than answers.
Berlin: “Red Scare” podcast co-host Dasha Nekrasova’s directorial debut makes compelling horror out of a web of real-life conspiracy theories.
Berlin: At nearly four hours, this intimate portrait of a classroom for immigrant children in Germany is a profound statement about multiculturalism.