Not everyone will like it, but the people who vibe to filmmakers and stars Jocelyn DeBoer and Dawn Luebbe’s singular vision will love the inventive duo forever.
Only the world’s biggest movie star could upstage her own movie with each fearsome scowl.
Sono Sion had a major heart attack in February, but the gonzo Japanese auteur’s gruesome new Netflix epic suggests he hasn’t missed a beat.
This slapdash Adam Devine comedy is exactly what you would expect from a “her.” ripoff written by the team behind “The Hangover” franchise.
The ooky clan has always functioned as a smart stand-in for outcast narratives, but this uneven kid-centric offering doesn’t quite capitalize on its rich material.
Shonali Bose’s fact-based tale hinges on a decade-spanning love story and the involvement of an energetic, funny, and very dead teen narrator.
“On Cinema at the Cinema” takes to the streets in an ersatz parody about Tim Heidecker’s downward slide from mass-murder to politics.
Lupita Nyong’o, Josh Gad, a faux-Hemsworth, and a cute kid help “Little Monsters” stand out from the other comedies about the walking dead.
NYFF: Tania Cypriano’s tightly crafted documentary avoids pitfalls by focusing on the day to day of a leading doctor in medical transition.
It’s always fun to see Patrick Wilson act insidious, but Vincenzo Natali’s Netflix horror movie is about as scary as astroturf.
NYFF: Tim Robbins teaches maximum-security prisoners about commedia dell’arte in his thin but empathetic documentary debut.
A scrawny teenage boy unearths $100,000 in buried treasure in Kevin McMullin’s promising Jersey Shore crime saga.
