‘The Banishing’ Review: England’s Most Haunted House Gets Flipped into a Flimsy Gothic Horror Rental
Sean Harris steals the show as occultist Harry Price, but Christopher Smith’s gothic horror film isn’t scary enough to subvert its clichés.
Reviews
‘Monday’ Review: Sebastian Stan Stars in a Sexy Party Film That Couldn’t Be Made Today
Argyris Papadimitropoulos’ free-wheeling Greece-set romance is a film from a bygone era, with Stan and co-star Denise Gough getting close with wild abandon.
A Sexually Charged Friendship Turns Murderous in a Refreshing New Japanese Netflix Drama
Review: Adapted from the popular manga “Gunjō,” Netflix’s “Ride or Die” is a freewheeling story of female friendship that follows its own rules.
‘Night in Paradise’ Review: Netflix Delivers a Slow-Burn Korean Mob Epic from the Director of ‘New World’
This languid but explosive mob epic stars Uhm Tae-goo as an enforcer who tries to lie low on Jeju Island after starting a gang war in Seoul.
New Movies: Release Calendar for April 9, Plus Where to Watch the Latest Films
As theaters begin showing signs of life and streaming and VOD options stay hefty, IndieWire is here to guide you through all of your new viewing options each week.
‘Thunder Force’ Review: Melissa McCarthy and Octavia Spencer Need More Silly in Superhero Comedy
Even with talented stars in the lead roles, the best gag in Ben Falcone’s Netflix comedy involves Jason Bateman as a half-crab, half-man. That seems wrong, doesn’t it?
Terrence Malick-Produced Documentary Explains Why Even His Worst Movies Are Worthy of Appreciation
Review: “Awaken” gathers five years of footage from 30 countries, but to what end?
‘The Man Who Sold His Skin’ Review: Tunisia’s First Oscar Nominee Is an Art Satire About a Million-Dollar Tattoo
Like “Incendies” and “The Lives of Others,” Tunisia’s first Oscar-nominated film spins a contrived yarn from a humanitarian crisis.
‘Voyagers’ Review: Colin Farrell Chaperones a YA Thriller That Re-Stages ‘Lord of the Flies’ in Space
Lily Rose-Depp, Tye Sheridan, Chanté Adams, and other rising stars have little to do in Neil Burger’s pretty but predictable space odyssey.
‘The Power’ Review: A Blackout Thriller with a Performance That Would Make Linda Blair Proud
Corinna Faith’s directorial debut uses an ingenious setup to deliver a profoundly unsettling thriller, with star Rose Williams turning in a revelatory performance.
‘Godzilla vs. Kong’ Review: The MonsterVerse Delivers Its Best Action Yet in a Titan Battle Royale
The fourth film in the Legendary franchise brings together its two heaviest hitters to duke it out. But after a disappointing third entry, it’s the audience that comes out winning.
‘Shoplifters of the World’ Review: A Sweet but Inauthentic Comedy About the Day the Music Died
Helena Howard is the only light that never goes out in a forced time capsule of a comedy set on the night the Smiths broke up.
Newswire
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Jorge Ramos, Adriana Cisneros, Walter F. Ulloa Discuss the Future of the U.S. Hispanic and Latin American Digital Media Space
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Flashback: Lucy Dacus Performs ‘Map on a Wall’ on a Virginia Rooftop in 2014
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Triller Parent Acquires Fite And Amplify.ai, Installs Mahi De Silva As New CEO
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TVLine Items: Never Have I Ever Gets Common, CBS Renews Nails and More
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Ex-Met Lo Duca Called Out in Umpire West’s Podcast Slander Case