Linda Hamilton is more of a badass than ever, but this painfully generic action movie proves that the “Terminator” franchise is obsolete.
Ed Perkins’ documentary is so harrowing and horrific that it can only bear to scratch the surface of its remarkable story.
Essentially a 90-minute episode of “Planet Earth” that’s aimed at children, this unfocused but emotional doc succeeds where Disney failed.
Kevin Smith’s latest trip into the View Askewniverse is only for people who think “Mallrats” is a masterpiece and know “Clerks II” by heart.
A decade after the original hit, the zombie-killing crew returns for a limp retread of a film that felt fresh at the time.
Not everyone will like it, but the people who vibe to filmmakers and stars Jocelyn DeBoer and Dawn Luebbe’s singular vision will love the inventive duo forever.
Only the world’s biggest movie star could upstage her own movie with each fearsome scowl.
Sono Sion had a major heart attack in February, but the gonzo Japanese auteur’s gruesome new Netflix epic suggests he hasn’t missed a beat.
This slapdash Adam Devine comedy is exactly what you would expect from a “her.” ripoff written by the team behind “The Hangover” franchise.
The ooky clan has always functioned as a smart stand-in for outcast narratives, but this uneven kid-centric offering doesn’t quite capitalize on its rich material.
Shonali Bose’s fact-based tale hinges on a decade-spanning love story and the involvement of an energetic, funny, and very dead teen narrator.
“On Cinema at the Cinema” takes to the streets in an ersatz parody about Tim Heidecker’s downward slide from mass-murder to politics.
