‘Oh Mercy!’ Review: Leá Seydoux Is Totally Wasted in Arnaud Desplechin’s Flat Procedural
Léa Seydoux stars as a suspected killer in Arnaud Desplechin’s uncharacteristically boring detour into the true crime genre.
Reviews
‘Matthias & Maxime’ Review: Xavier Dolan’s Romantic but Unfocused Return to Form
Xavier Dolan returns to form with a touching drama about two bros whose friendship changes after they kiss each other in a student film.
‘Brightburn’ Review: Gruesome Superman Revisionist History Never Quite Takes Off
James Gunn produced the twisted horror film — written by his one of his own brothers and a cousin — and the superhero scarefest could use more of his wit.
‘Aladdin’ Review: Will Smith Steals the Show in Guy Ritchie’s Unexpectedly Fun Remake
Mena Massoud and Naomi Scott are mostly charming as a modernized Aladdin and Jasmine, but it’s Smith’s full force performance that stands out.
Werner Herzog’s Strangest Movie in Years Is Japanese Drama ‘Family Romance, LLC’ — Cannes
The filmmaker’s scrappy look at Japan’s rent-a-family industry isn’t perfect, but it’s a surprising shift from his usual routine.
‘Parasite’ Review: Bong Joon-ho Delivers a Brilliant and Devastating Electric Shock of Economic Anxiety
The giddy, brilliant, and totally unclassifiable “Parasite” proves that Bong Joon-ho has become a genre unto himself.
‘Once Upon a Time in Hollywood’ Review: Quentin Tarantino’s Weirdest Movie Gets Lost in History — Cannes
Tarantino’s ninth feature is a hangout movie that takes a liberal approach to Hollywood history.
‘Tommaso’ Review: Willem Dafoe Stars in Abel Ferrara’s Microbudget ‘Birdman’ — Cannes
Ferrara’s most personal film stars Dafoe in a gripping performance as a man haunted by his old life.
‘Frankie’ Review: Isabelle Huppert Delivers Her Most Vulnerable Performance Ever
Cannes: Ira Sachs’ gorgeous and tender Portugal-set drama shows a side of Isabelle Huppert you’ve never seen before.
‘Young Ahmed’ Review: Dardenne Brothers Deliver a Suspenseful Terrorist Coming-of-Age Tale
Cannes: While not their finest achievement, the Belgian auteurs’ look at a 13-year-old with murderous convictions still have plenty of insights.
‘Diego Maradona’ Review: A Gripping Saga of Soccer Legend’s Fall From Grace — Cannes
“Amy” director Asif Kapadia’s crafts an absorbing look at Maradona’s epic journey.
‘Portrait of a Lady on Fire’ Review: Céline Sciamma Unveils a Painterly Masterpiece — Cannes
Noémie Merlant and Adèle Haenel star as a painter and her subject in Céline Sciamma’s devastatingly unforgettable story of love and memory.
Newswire
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Watch Karen O & Danger Mouse’s ‘Encounter With Lux Prima’ Documentary (EXCLUSIVE)
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Watch Samantha Bee Question the Merits of Democrats Appearing on Fox News
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Oscar Race Heats Up Chilly Cannes Film Festival With Hot Prospects From Pitt And DiCaprio To ‘Rocketman’ And Almodovar
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20 Years Ago, Susan Lucci Finally Won Her First Daytime Emmy — WATCH
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![Sergio Trujillo (‘Ain’t Too Proud’ choreographer) on creating a ‘brand new vocabulary’ for The Temptations [EXCLUSIVE VIDEO INTERVIEW]](https://i1.wp.com/www.goldderby.com/wp-content/uploads/2019/05/Sergio-Trujillo.jpg?resize=230%2C135&ssl=1&w=300)
Sergio Trujillo (‘Ain’t Too Proud’ choreographer) on creating a ‘brand new vocabulary’ for The Temptations [EXCLUSIVE VIDEO INTERVIEW]
