‘Better Call Saul’: What Rhea Seehorn Learned When She Directed Herself
The fourth episode of Season 6 needed balance, and not just the kind it takes to be in Kim Wexler’s mind and the director’s chair on the same day.
The fourth episode of Season 6 needed balance, and not just the kind it takes to be in Kim Wexler’s mind and the director’s chair on the same day.
A far funnier episode than last week’s brush with tragedy, this hour still makes room for showing two men’s dangerous relationships to hubris.
A country club sting, a motel refuge, and a violent storm on the horizon all swirl together in a season premiere where no one quite has the full picture yet.
The final season of the impeccable AMC show maintains an impossibly high bar for finely crafted TV, with Bob Odenkirk and Rhea Seehorn leading the way.
Every “Better Call Saul” fan is nervous about the fate of Kim Wexler in the show’s final season.
IndieWire is exclusively announcing the jurors and selections for the virtual edition of SeriesFest’s Independent Pilot Competition.
The actress’ final scene of Season 5 may have been a surprise to some, but the roots of a shift were there for several episodes.
Currently filming Season 5, Seehorn spent her hiatus shooting appearances on Hulu’s “The Act” and HBO’s “Veep.”
Seehorn also teases that the upcoming Season 4 finale will end on “a very big cliffhanger” about the fate of Jimmy McGill.
A kiss is just a kiss, but the way TV’s most chaste on-screen couple shows each other affection has a bigger impact than you’d think.
Gould and Seehorn know that whatever happens to Kim, it’s ultimately going to break viewers’ hearts.
Season 3 Episode 9, “Fall,” puts a little too much focus on Jimmy than we’d like, but we’re fascinated nonetheless.