“There’s an underbelly to Mary Poppins,” said Blunt, who embraced the duality of the P.L. Travers character as she sang and danced and cried through Rob Marshall’s musical sequel.
Production designer John Myhre coined the term “London-y” for embracing Rob Marshall’s new take on the Disney classic.
In addition to her charismatic portrayal of the beloved nanny, the Disney re-imaginging should also raise Oscar hopes for a wide range of crafts.
SAG-AFTRA Foundation Honors ‘The Revenant’ Oscar Contender Leonardo DiCaprio, the Art of Giving Back
‘Chicago’ & ‘Into The Woods’ Helmer Rob Marshall To Direct ‘Mary Poppins’ Reboot For Disney
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Watch: Singing Sondheim Is “Like Calculus” in ‘Into the Woods’ Behind-the-Scenes Video (Exclusive)
How They Turned Sondheim’s ‘Into the Woods’ into a Post-9/11 Metaphor (VIDEO)
Anna Kendrick Is “Feeling Groovy” With ‘Into The Woods,’ ‘Last Five Years’ and ‘Pitch Perfect 2’
How Lapine and Marshall Turned Sondheim’s ‘Into the Woods’ Into a Movie Musical (EXCLUSIVE VIDEO)
Review: ‘Into The Woods’ Starring Meryl Streep, Ana Kendrick, Emily Blunt & Johnny Depp
‘Into The Woods’ Reviews: Rob Marshall Directs a Solid, Satisfying Sondheim Fairytale
