At a recent SFFILM tribute, the “BlacKkKlansman” and “Do the Right Thing” filmmaker touted his love for James Bond, Sidney Poitier, and diversity on-screen.
Barry Alexander Brown tells IndieWire about the pair’s long-time working relationship, the important lesson he took from “Malcolm X,” and discovering that the actual David Duke was in Charlottesville.
The “Sorry to Bother You Director” took issue with Lee’s film for making a cop a hero against racism.
It’s “really disappointing, to put it very mildly,” he wrote on Twitter.
Two hit summer movies tackle the same provocative theme from very different perspectives.
Production designer Curt Beech came up with three ideological zones for depicting race relations and infiltrating the KKK.
The “BlacKkKlansman” breakout was raised by one of the most famous movie stars in the world, but the younger Washington has found his own way forward.
Cinematographer Chayse Irvin’s free-form approach to images is unconventional, but it was a perfect fit for Lee’s timely film.
One grand prize winner will take home a signed copy of Ron Stallworth’s book, the film’s soundtrack, and movie poster signed by the film’s stars.
Spike Lee’s new film tells the true story of a black detective infiltrating a Colorado Springs chapter of the Ku Klux Klan.
David Rabinowitz and Charlie Wachtel found the story that became Lee’s best film in years. For IndieWire, they write about how they pulled it off.
From the day he arrived on the scene, Spike Lee’s posters have reflected the righteous clarity of the films they were designed to promote.
