The March festival will play home to new offerings from Apatow, Amy Seimetz, Spike Jonze, Michael Showalter, Kris Rey, and at least one (very) long-gestating series.
One film, about Kai, a young girl who lives in Texas, was screened at SXSW. Texas lawmakers introduced a bill attacking transgender students like Kai.
These SXSW highlights still need homes. Here’s our plea for somebody to pick them up.
From wacky comedies to powerful new TV efforts, this year’s SXSW had plenty to celebrate.
A documentary about the Eugene Mirman Comedy Festival blossoms into a touching reminder that laughter is the best medicine.
Screen Talk, episode 236: SXSW featured plenty of exciting high-profile films, but they weren’t the only ones on display at the Austin gathering.
“If you looked like me and sounded like me, you were the character, you were never at the center of the story,” said Feldstein at a recent SXSW panel.
Exclusive: Kate Trefry makes her directorial debut with the wicked little short, which turns imaginary monsters into something much more real.
Josephine Mackerras’ microbudget debut is a showcase for actress Emilie Piponnier.
Keola Racela’s first feature boasts seriously X-rated gore (trigger warning: exploding balls), and many clever narrative choices.
Additional prizes on SXSW Awards night went to the credits of “Spider-Man: Into the Spiderverse” and a music video for Hurray for The Riff Raff.
This SXSW premiere, a close-up look at the life and death of late Soundcloud rapper Lil Peep, bears the influence of its EP Terrence Malick.
