CNN Films Wants to Create What CNN’s 24-Hour News Cycle Did Not: A Consistent Audience
Documentaries on CNN+ can be monetized over time. On cable, you get “one shot on a Sunday night,” CNN Worldwide EVP Amy Entelis told IndieWire at SXSW.
Documentaries on CNN+ can be monetized over time. On cable, you get “one shot on a Sunday night,” CNN Worldwide EVP Amy Entelis told IndieWire at SXSW.
SXSW: Trapped in a mansion without internet, what’s a group of friends — including Pete Davidson and Maria Bakalova — to do but descend into bloody mayhem?
At SXSW, NFTs and blockchain are the future of the web — or an MLM scam. And leading the cryptocurrency naysayers is actor Ben McKenzie from “The O.C.”
SXSW: Bill Posley fabricates a highly entertaining homage to the Black horror of decades past.
Your appreciation of the long-awaited video game adaptation may hinge on the question: “How many murdered children is too many?”
SXSW: Steve “Spaz” Williams pioneered movie magic that still makes films pop today, so why is the film about his rise and fall so beholden to limp cinema tricks?
George Clooney, Sam Rockwell, Zoe Kazan, and more all pop by.
A porn film crew fights for their lives in a secluded Texas farmhouse in Ti West’s cleverly genre-bending slasher.
The actor basked in his unique comeback moment with “The Unbearable Weight of Massive Talent” and explained why he was into VOD movies “before streaming was cool.”
SXSW: Michael Morris’ scattershot drama brilliantly casts the most chameleonic actress alive against a guy who can’t help but play himself.
SXSW: Ryder has a great time with this tricky debut from “Homecoming” creator Eli Horowitz, but little else is up to snuff.
Richard Linklater’s first animated movie since “A Scanner Darkly” is a lushly drawn, Netflix-funded trip back to the summer of 1969.