SXSW: Here Are the Cameras Used to Shoot the 2019 Scripted Narrative Features
Directors and cinematographers take IndieWire behind the scenes of how they shot their indie features.
SXSW
‘Shangri-La’: Morgan Neville Debuts Footage of Rick Rubin’s Rock ‘N’ Roll Clubhouse
SXSW: Featuring legendary musicians, at least one magician, and a whole lot of David Lynch, “Shangri-La” debuted a rough cut of its first meditative episode.
Jodie Foster Was Terrified of Acting and Anthony Hopkins, But Never of Directing
At SXSW, the actress and filmmaker opened up about her struggles to become a great performer, sharing she never had the same problem when it came to her directing career.
‘The Day Shall Come’ Review: Anna Kendrick Is Dysfunctional FBI Agent in Chris Morris’ New Terrorist Comedy
The British filmmaker’s long-awaited follow up to “Four Lions” delivers a scathing and often very funny indictment of homeland security.
‘Pink Wall’ Review: A Familiar but Affecting Riff on ‘Blue Valentine’ — SXSW
“Weekend” actor Tom Cullen directs Tatiana Maslany and Jay Duplass in a time-hopping relationship drama about the heart of a bad romance.
‘Good Boys’ Review: Jacob Tremblay Drops a Lot of F-Bombs in Raunchy Adolescent Comedy
As it follows the misadventures of 12-year-old boys in a single day, “Good Boys” manages to be adorable and twisted at the same time.
‘Go Back to China’ Review: Emily Ting’s Winning Fish-Out-of-Water Coming-of-Age Comedy
SXSW: The filmmaker’s sophomore feature follows a spoiled Chinese-American, who takes the advice of spit-out slur and turns it into a winning comedy.
‘South Mountain’ Review: Talia Balsam Is Astounding in Elegant Hippy Midlife Crisis Story — SXSW
Hilary Brougher’s first feature since 2006’s “Stephanie Daley” is a tender, intimate, and blatantly personal work that wears its lo-fi narrative with pride.
‘The Art of Self-Defense’ Review: Jesse Eisenberg Gives Wildest Performance Ever as a Karate-Obsessed Loser
Riley Stearns’ sinister dark comedy suggests “Foot Fist Way” meets “Nightcrawler.”
‘Adopt a Highway’ Review: Ethan Hawke Finds Dumpster Baby in Sweet Blumhouse Drama — SXSW
Logan Marshall-Green’s directorial debut stars Ethan Hawke as a sweet ex-con who finds new purpose when he discovers a baby in a dumpster.
‘The Highwaymen’ Review: Kevin Costner and Woody Harrelson Take Down Bonnie and Clyde
SXSW: In the sturdy Netflix drama, this masculine Western duo were born to be together as much as the criminals in their crosshairs.
Jordan Peele Explains How He Made ‘Us’ for Five Times the Budget of ‘Get Out’ — SXSW
The filmmaker also addresses the movie’s subtle racial themes and how he survived a second round with Oscar season.
Newswire
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‘Ford vs. Ferrari’ Director James Mangold to Receive AIS Harold Lloyd Award
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Lil Nas X Covers Juice WRLD’s ‘Lucid Dreams’ in Tribute to Rapper
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BAFTA: ‘For Sama’, ‘Blue Story’ & Karen Gillan Pic Among Shortlist For Outstanding Debut By A British Writer, Director Or Producer
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Madam Secretary Series Finale Recap: The State of the Union Is Strong
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John Cassavetes birthday gallery: 12 greatest films ranked from worst to best
