Awards-season gamesmanship has always seemed to be counter to criticism, but Oscar nominations are one of the few things that can get people out of their comfort zones and into a movie theater.
IndieWire’s annual Telluride poll often points toward potential Oscar frontrunners. But this year’s outcome is something of a surprise.
The “Moonlight” director told Telluride audiences about the time he met the actress-turned-filmmaker a decade ago.
It’s a strong year for new fall movies, but industry anxiety about getting the work seen has reached a fever pitch.
Also: Any distributors willing to embrace Christian Bale in “Hostiles” and Ethan Hawke in “First Reformed”? They’d love to join this year’s race.
First “La La Land” and now “The Battle of the Sexes.” Emma Stone is turning into a real awards powerhouse.
The director of “The Attack” is back with another compelling look at tensions in Lebanese society.
Samuel Maoz’s second feature is beautiful deadpan satire with many surprises in store.
Errol Morris’ four-and-a-half hour miniseries pushes his familiar style in a fresh direction.
Jolie’s immersive drama about a child surviving the Khmer Rouge is her finest directing effort yet.
An electric chamber piece that couldn’t more perfectly complement “Dunkirk” if Christopher Nolan wrote it.
Gerwig’s first solo directing effort is a touching coming-of-age story that makes an old formula feel new again.
