‘The Last Black Man in San Francisco’: Jonathan Majors Is Suddenly Everywhere and Loving It
The rising star, a recent Gothams and Independent Spirit Awards nominee, reflects on his rapid rise to fame.
The Last Black Man in San Francisco
From ‘Schindler’s List’ to ‘A Hidden Life,’ the Unsung Hero of Awards-Season Trailers Is Mark Woollen
He’s the first to say he doesn’t know marketing, but filmmakers trust Woollen to capture their hard-won two-hour movies in two minutes.
Sundance Hits ‘Late Night’ and ‘The Last Black Man in San Francisco’ Score at Specialty Box Office
This weekend brought welcome news for the specialty market as two well-reviewed narratives opened well.
The Watch List: 7 Things to Check Out This Weekend, From ‘Big Little Lies’ to ‘Infinite Football’
Introducing the IndieWire Watch List, a new weekly feature that collects the stuff we’re obsessed with into a handy weekend viewing guide.
‘Late Night’ Is Telling Us Something About the Anxiety Surrounding Theatrical Distribution
Screen Talk, episode 246: With uncertain prospects for “Late Night” following its $13 million Sundance deal, the industry is facing big questions about the marketplace.
The Pain of Jimmie Fails’ Eviction Fueled His Need to Make ‘The Last Black Man in San Francisco’
Fails’ passion project has opened up a whole new range of options.
‘The Last Black Man in San Francisco’ Trailer: A24’s Sundance Winner Is a Must-See Summer Indie
Filmmaker Joe Talbot is behind one of the year’s most confident and unforgettable debut movies.
A24 Seeks Summer Box Office with Release Dates for ‘The Farewell’ and ‘Last Black Man’
Exclusive: The two Sundance breakouts join the boutique distributor’s other big summer contender, the May release “The Souvenir.”
‘The Last Black Man in San Francisco’ Review: Joe Talbot’s Bittersweet, Unforgettable Debut
San Francisco has always been a city with a short memory, but Talbot’s staggeringly confident debut is going to be very hard to forget.
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Chicago P.D. Recap: Burgess' Big Decision — Plus, Is #Upstead OK?
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