‘The Last Black Man in San Francisco’: Jonathan Majors Is Suddenly Everywhere and Loving It
The rising star, a recent Gothams and Independent Spirit Awards nominee, reflects on his rapid rise to fame.
The rising star, a recent Gothams and Independent Spirit Awards nominee, reflects on his rapid rise to fame.
He’s the first to say he doesn’t know marketing, but filmmakers trust Woollen to capture their hard-won two-hour movies in two minutes.
This weekend brought welcome news for the specialty market as two well-reviewed narratives opened well.
Introducing the IndieWire Watch List, a new weekly feature that collects the stuff we’re obsessed with into a handy weekend viewing guide.
Screen Talk, episode 246: With uncertain prospects for “Late Night” following its $13 million Sundance deal, the industry is facing big questions about the marketplace.
Fails’ passion project has opened up a whole new range of options.
Filmmaker Joe Talbot is behind one of the year’s most confident and unforgettable debut movies.
Exclusive: The two Sundance breakouts join the boutique distributor’s other big summer contender, the May release “The Souvenir.”
San Francisco has always been a city with a short memory, but Talbot’s staggeringly confident debut is going to be very hard to forget.