‘The Rider’ Named Best Picture by the National Society of Film Critics
“Roma” also acquitted itself well, winning three prizes.
The Rider
Chloe Zhao’s ‘The Rider’ Is a Welcome Antidote to the Age of Donald Trump
Zhao’s unorthodox Western is one of the year’s best movies, and the story behind its production sends a strong message.
The 20 Best Movies of 2018 So Far, According to Metacritic
The numbers don’t lie, and they spell disaster for “Gotti.”
‘The Rider’ Director Chloé Zhao Treats Non-Actors Like Pros: ‘Once Upon a Time, Our Greatest Actors Were Discovered’ – Podcast
Zhao said with her Bass Reeves biopic, she’ll direct a more traditional cast like she did with her first-timers: “You can work with an actor in a certain way, you can create an environment like Terrence Malick has always done.”
‘The Rider’: How Composer Nathan Halpern Captured the Fragile Mental State of a Broken Cowboy – Watch
Composer Nathan Halpern explains how he collaborated with director Chloé Zhao to create a score that balanced the hybrid film’s mix of cinema vérité and a modern western.
‘The Rider’ Director Chloé Zhao to Helm Biopic About Bass Reeves, the First Black U.S. Marshall, for Amazon Studios
It will be her third feature.
‘Lean on Pete’ and ‘The Rider’: Two Bold Westerns Show What Foreign-Born Directors Can Bring to the Genre
IndieWire spoke with U.K. filmmaker Andrew Haigh and China-born Chloé Zhao about the joy and difficulties of shooting the exotic West.
Indie Box Office: Women-Directed Movies Kick Ass, Lead by ‘Grace Jones: Bloodfight and Bami’
“The Rider and “Zama” round out three openers directed by women, as Lynne Ramsay holdover “You Were Never Really Here” continues to pull cinephiles.
‘The Rider’ Puts a Female Lens on Toxic Masculinity
In this essay produced as part of the NYFF Critics Academy, Caroline Cao looks at how the story of a Lakota cowboy interrogates the American dream.
‘The Rider’ Trailer: Chloé Zhao’s Cannes Prizewinner Isn’t Her First Rodeo — Watch
The film premiered at Cannes before making its way to Telluride and Sundance.
‘The Rider’ Review: This Cannes Winner Is Part Truth, Part Drama, and Completely Heartrending
Chloe Zhao returned to the setting of her debut feature to craft a docudrama about a real-life American cowboy in the midst of a major life change.
Westerns, Redefined: How Two New Movies Provide Fresh Meaning to a Dated Genre — NYFF
In this dispatch from the NYFF Critics Academy, two new westerns that shake up the conventions of the genre with non-professional actors.
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