‘The Edge Of Seventeen’ Is An Instant High School Movie Classic — TIFF Review
Kelly Fremon Craig’s wonderful and unflinchingly real debut is like a James L. Brooks comedy for teenagers.
Kelly Fremon Craig’s wonderful and unflinchingly real debut is like a James L. Brooks comedy for teenagers.
Lone Scherfig’s latest is a charming enough look at how women shaped Britain’s wartime cinema, but it’s a man who ends up stealing the show.
For better or worse, “Barry” does for America’s first black President what “Shakespeare in Love” did for the bard.
Anchored by strong performances, Adam Smith’s winsome debut is a very strange hodgepodge of “Animal Kingdom” and “Little Miss Sunshine.”