‘To Leslie,’ Part II: Inside the Hunt for the Next Surprise Low-Budget Oscar Campaign (Column)
What does it really cost to run a successful low-budget Oscar campaign? Let’s crunch some numbers.
What does it really cost to run a successful low-budget Oscar campaign? Let’s crunch some numbers.
“This distributor was awful and remained awful,” Maron said of Momentum Pictures, which released Andrea Riseborough’s Best Actress nominee last October.
Oscar campaigners know the campaign rules and how to push them to their limits, but many Academy members do not.
Her “To Leslie” nomination may have incited an AMPAS investigation, but the Academy will not rescind Riseborough’s nod after all.
Academy CEO Bill Kramer said a statement after the annual post-nominations meeting that “components of the regulations must be clarified.”
“So it’s only the films and actors that can afford the campaigns that deserve recognition?,” Ricci wrote on Instagram.
The Academy announced that it will conduct a review to “ensure that no guidelines were violated,” and decide on digital era changes.
Another winner is “To Leslie,” which didn’t hit any VOD chart and made less than $30,000 at the box office; today, it’s #10 on iTunes.
Riseborough’s jaw-dropping Oscar nomination for “To Leslie” comes on the heels of a celebrity-backed grassroots voting campaign.
If there’s anything indie “To Leslie” doesn’t have, it’s money, one campaign insider told IndieWire. So why are celebs from Gwyneth Paltrow to Kate Winslet suddenly backing it?
Michael Morris’ scattershot drama brilliantly casts the most chameleonic actress alive against a guy who can’t help but play himself.