How ‘Mo’ Brings the Spaghetti Western to Modern Houston
Creator Mo Amer discusses the filmmaking choices that brought a little bit of Sergio Leone flair to the story of Palestinian asylum seekers.
Creator Mo Amer discusses the filmmaking choices that brought a little bit of Sergio Leone flair to the story of Palestinian asylum seekers.
Toolkit Podcast: Esmail on using old film scores, shooting in a 1:1 aspect ratio, and how writing/directing “Mr. Robot” is unsustainable.
“A Star Is Born” cinematographer Matthew Libatique’s career has been defined by an empathetic, visceral camera that adjusts to a film’s emotional rhythms.
Cuarón trades in his immersive camera movement for a new level of spatial reality through sound.
How I Edited That: Phyllis Housen takes IndieWire inside her process for cutting the riveting death row drama.
Laxton and Barry Jenkins breakdown the visual language they used to translate Baldwin.
Pawel Pawlikowski created scenes that left room for the camera and cinematography to tell the story.
How Barry Jenkins and production designer Mark Friedberg used innovation and emotion in adapting James Baldwin.
From the bold color of love in “If Beale Street Could Talk” to the immersive imagery of “Roma,” a look back at the year in cinematography.
Director Yorgos Lanthimos pushed his cinematographer to extremes with the use of very wide lenses, only natural light, and bold camera moves.
Hollywood’s top casting directors explain why “Black Panther,” “Roma,” and “Eighth Grade” are among the best-cast films of the year.
In exclusive before and after images, go behind the scenes of cinematographer Sean Bobbitt’s collaboration with Steve McQueen and his colorist Tom Poole.