‘The Front Runner’: Here’s How to Mic 20 Actors and Mix Their Sound at the Same Time
Exclusive clips: Jason Reitman wanted a mix that sounded like films from the ’70s. Here’s how his sound team pulled it off.
Exclusive clips: Jason Reitman wanted a mix that sounded like films from the ’70s. Here’s how his sound team pulled it off.
An inside look at how the crew behind the heart-stopping documentary shot the incredible footage of Alex Honnold’s death-defying climb.
Director Brett Morgen and his colorist talk about the hundreds of hours that went into making the 1960s footage look so stunning.
18 Emmy-nominated cinematographers on how they created their shows’ unique look, and the gear they chose to pull it off.
Production designer Ruth De Jong explains there is no set style or color palette to “Twin Peaks,” but rather an innate expression of Lynch through color, texture, and space.
IndieWire goes behind-the-scenes of the unique cinematic style and cinematography of “Atlanta,” “The Good Place,” and “Dear White People.”
Crowdfunding shouldn’t just be student filmmakers painfully asking friends and family for money.
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