Craft Emmy Analysis: In a Year Without a ‘Crown’ or a ‘Queen’s Gambit,’ What Historical Series Will Rule?
Can “Bridgerton,” “The Marvelous Mrs. Maisel,” “The Great,” “The Gilded Age,” or “Pachinko” rise up and reign supreme over crafts?
Can “Bridgerton,” “The Marvelous Mrs. Maisel,” “The Great,” “The Gilded Age,” or “Pachinko” rise up and reign supreme over crafts?
Does the survival thriller have what it takes to notch the nominations that separate the Emmy darlings from the Emmy juggernauts? Bill Desowitz weighs in.
To connect the camera kinetically and emotionally to the players, the cinematographers utilized a secret weapon: the rollerblade camera.
Editor Todd Downing tells IndieWire how Season 2 was like “ripping the layers off and going deeper into a psychedelic, surreal world.”
Framestore’s new suite of pre-production services helped plan and visualize some of the key set pieces, including the final battle between Dumbledore (Jude Law) and Grindelwald (Mads Mikkelsen).
Costume designer Meghan Kasperlik and cinematographers Gregory Middleton and Andrew Droz Palermo tell IndieWire about conveying dissociative identity disorder through two distinct POVs.
Editor Paul Rogers tells IndieWire about hot dog hands, butt plugs, “Raccoonouille,” and the deleted “Spaghetti Baby Noodle Boy” universe.
Composer Hans Zimmer earned his second Oscar, and cinematographer Greig Fraser, editor Joe Walker, and production designer Patrice Vermette won their first.
“Dune” powered its way to win editing, production design, original score, and sound during the unprecedented pre-live taping.
“Dune” increased its Oscar foothold by taking major MPSE and CAS wins. (Constantly updated.)
Greig Fraser powers his way to second ASC win, but still needs to fend off “The Power of the Dog” cinematographer Ari Wegner for the Oscar prize. (Constantly updated.)
Greig Fraser powers his way to second ASC win, but still needs to fend off “The Power of the Dog” cinematographer Ari Wegner for the Oscar prize.