Editor Lisa Zeno Churgin got to emphasize uncharacteristically long dialogue scenes for Redford in his final performance. “This is the first time that I have worked with a true movie star,” she said.
The two-time Oscar winner avoided all musical conventions and came up with a strange jazz combo for Jacques Audiard’s audacious western.
Four feasts of sights and sounds (including three period pieces and two shot on film) are certain to generate great crafts buzz.
The HBO juggernaut came roaring back as the big crafts winner on Saturday. But will “The Handmaid’s Tale” repeat as outstanding drama next Monday?
The double Emmy nominee offered the “Truth” love theme for Jon and Daenerys and the riff on Wu-Tang Clan’s “C.R.E.A.M.”
The Emmy-nominated VFX raised the bar with CG Demogorgons, the Shadow Monster, and a mind-blowing finale.
Director Brett Morgen and his colorist talk about the hundreds of hours that went into making the 1960s footage look so stunning.
Last year’s Emmy-winning VFX team upped its game with mind-blowing environments and that impressive CG bull from the Super Bowl spot.
The Emmy-nominated production design, cinematography, and costumes became freer in Season 2 of Peter Morgan’s Royal Family drama.
Production designer Curt Beech came up with three ideological zones for depicting race relations and infiltrating the KKK.
18 Emmy-nominated cinematographers on how they created their shows’ unique look, and the gear they chose to pull it off.
The imposing Dragonstone set and striking winter coat propel Emmy front-runners Deborah Riley (production design) and Michele Clapton (costume design).
