‘The Boys’: Breaking Down the Grotesque VFX Spectacle in ‘The Bloody Doors Off’ Episode
VFX supervisor Stephan Fleet describes the Emmy-nominated. one-off gags involving Acid Guy, the Squeezer, and Love Sausage.
Top of the Line
‘Black Widow’: Breaking Down How VFX Helped Bring a New Level of Grit and Emotion to the Action
Marvel VFX supervisor Geoffrey Baumann connected embers with fireflies, and swapped in Taskmaster during the skydiving climax.
‘Loki’: How ‘Brazil’ and ‘Blade Runner’ Influenced the TVA and Lamentis-1 World Building
Production designer Kasra Farahani created cognitive dissonance with clashing influences, and a psychedelic look with black light.
‘Loki’: How the Theremin and Moog Synthesizer Musically Conveyed the God of Mischief Trapped in the TVA
In addition to the spacey theremin, composer Natalie Holt was inspired by “A Clockwork Orange” and Wendy Carlos’ Moog-infused score.
Creative Arts Emmy Analysis: ‘The Mandalorian’ Leads, ‘The Underground Railroad’ Disappoints
Disney’s “The Mandalorian” and “WandaVision” topped the craft categories with 17 and 15 nominations, respectively.
Cannes 2021 Has 8 Palme D’Or Entries Shot on Film, Including Wes Anderson’s ‘The French Dispatch’
Kodak celebrates 19 titles shot on film at the 74th festival, including 16mm entries “Flag Day,” “Red Rocket,” and “Blue Bayou.”
‘Star Trek: Discovery’: The Changing Makeup and Hair Looks of Michael Burnham in a Trippy Season 3
Sonequa Martin-Green’s Michael Burnham became more badass in the Mirror Universe, while Doug Jones’ Saru turned human for the first time.
‘The Crown’ Costumes: Conveying the Emotional Arcs for Margaret Thatcher and Princess Diana
Costume designer Amy Roberts had two powerhouse women to dress: The Iron Lady and the Cinderella princess, both wearing clothes as armor.
‘In the Heights’: Production Designing the Latin Neighborhood as a Playground for Each Musical Number
Production designer Nelson Coates explains how Washington Heights became a creative patchwork of actual locations and set builds at Brooklyn’s Marcy Armory.
‘The Mandalorian’ Season 2: Improving StageCraft Virtual Production and Tackling the Menacing Krayt Dragon
The popular Disney+ series expanded its scope and visual quality, while introducing a blast from “Star Wars” past in its creature work.
‘WandaVision’: How Marvel Went Retro for Recreating the TV Sitcom World with VFX
The VFX team took a deep dive into the TV language of the past for creating the black-and-white sitcom world and Hex barrier.
‘The Queen’s Gambit’: Finding the Balance Between Chess and Anya Taylor-Joy’s Character Arc
The question for editor Michelle Tesoro: What is too much chess? The answer: Play the faces more than the chess.
Newswire
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