The Oscar-winning prosthetic makeup artist is the frontrunner again this year for multiple feats of makeup mastery and pushing the limits of his craft.
“Rocketman,” “Jojo Rabbit,” “Parasite,” and “Toy Story 4” also took home prizes. But the Oscar race heats up between “1917” and “Ford v Ferrari.”
It’s a period piece visual feast led by “1917,” “Once Upon a Time in Hollywood,” “The Irishman,” “Joker,” and “The Lighthouse.” Updated 1/19/20.
As always, period rules the day in costume design, from Quentin Tarantino’s “Once Upon a Time in Hollywood” to Todd Phillips’ “Joker.” Updated 1/18/20
It’s a VFX race between Disney’s “The Lion King” and “Avengers: Endgame,” with the “The Irishman” as the dark horse. Updated 1/18/20.
Period production design dominates the Oscar race, with Bong Joon Ho’s “Paradise” as the impressive outlier. Updated 1/18/20.
“Parasite” editor Jinmo Yang now becomes the Oscar frontrunner. Could the film’s ACE win be a Best Picture harbinger as well?
The two-time Oscar winner was surprised that director Greta Gerwig turned his score into a ballet.
“Ford v Ferrari” and “Jojo Rabbit” are the sleepers in a race marked by unconventional characters and demanding stories.
Big-budget studio movies are competing for slots with Netflix’s dramatic epic “The Irishman” in a category that often presages the strongest Best Picture contenders. Updated 1/16/20.
Netflix scored two animated feature nominations with “Klaus” and “I Lost My Body”; Disney’s “Frozen 2” got snubbed.
“Joker” and “Downton Abbey” also snagged period honors for makeup and hairstyling, respectively, Saturday night in LA.
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