IndieWire Promotes Chris O’Falt to Film & TV Craft Deputy Editor
The section reflects IndieWire’s continued focus on craft coverage, with Bill Desowitz serving as Crafts and Animation Editor.
Top of the Line
‘The Mandalorian’ Leads the Way: Real-Time Virtual Production Is Saving Hollywood During the Lockdown
Real-time, virtual production tools from “The Lion King” and “The Mandalorian” are paving the way for a brave new world beyond the pandemic.
How Marvel’s Go-To Previs Company Mobilized to Work Around the Global Lockdown
The Third Floor, the MCU’s go-to visualization resource, moved quickly as soon as COVID-19 spread beyond Wuhan. They also devised nifty innovations for the future.
Why Some VFX Artists Can’t Work From Home
With thousands of VFX artists unable to work remotely because of binding non-disclosure agreements, the industry is pushing studios to relax security concerns that are putting workers at risk.
Large-Format Film to Thrive in 2020, Led by ‘No Time to Die,’ ‘Tenet,’ and ‘Wonder Woman 1984’
Kodak renewed its commitment to film with the Hollywood studios, while leading the large-format charge this year with four high-profile releases.
‘The Mandalorian’: How ILM’s Innovative StageCraft Tech Created a ‘Star Wars’ Virtual Universe
Jon Favreau’s Disney+ “Star Wars” series benefited from a breakthrough in digital backdrops while shooting on set.
‘The Call of the Wild’: How a CG Dog Named Buck Held His Own with Harrison Ford
Director Chris Sanders had the animation chops to make Buck the protagonist, but took advantage of reshoots with producer James Mangold to bolster Ford’s screen presence.
Billie Eilish’s ‘No Time to Die’ Bids Farewell to Daniel Craig’s James Bond With Haunting Ballad
Eilish’s Bond 25 theme dropped on Thursday. Now the multiple Grammy winner becomes an instant Oscar contender for Best Original Song.
Oscars 2020: Though It Lost Best Picture, ‘1917’ Dominated the Crafts Awards
Cinematographer Roger Deakins won his second Oscar, while “Toy Story 4” and “Hair Love” took animated feature and short.
‘Joker’: Putting a New Face on Joaquin Phoenix’s Zeitgeist-Grabbing Anti-Hero
Phoenix wanted to do his own makeup and hair, but the Oscar-nominated team provided the expertise in shaping his iconic look.
‘Ford v Ferrari’: Here’s How the Sound Team Created the Thrill of the Le Mans Race
The Oscar-nominated sound editing and mixing teams break down the two key scenes that lead up to Christian Bale’s big decision.
Oscars 2020: Why ‘1917’ Leads Strong Period Cinematography Race
The past comes alive as a visual feast, with Roger Deakins leading the pack with his tour de force, single-shot “1917.”
Newswire
-
NENT Studios U.K. Picks Up Worldwide Rights to New Zealand Fantasy Series ‘The Dead Lands’
-
Trump Economic Advisor Reduces Workers to ‘Human Capital Stock’
-
Russian Virtual Content Market To Present 300+ Projects & International Panel Program
-
Does Batwoman Recast Mean Kate Herself Must Get a New Face? Vote!
-
![Derek Hough previews the ‘different dynamics’ and format changes on ‘World of Dance’ for season 4 [EXCLUSIVE VIDEO INTERVIEW]](https://i1.wp.com/www.goldderby.com/wp-content/uploads/2020/05/derek-hough-world-of-dance.jpg?resize=230%2C135&ssl=1&w=300)
Derek Hough previews the ‘different dynamics’ and format changes on ‘World of Dance’ for season 4 [EXCLUSIVE VIDEO INTERVIEW]
