‘The Mandalorian’: How ILM’s Innovative StageCraft Tech Created a ‘Star Wars’ Virtual Universe
Jon Favreau’s Disney+ “Star Wars” series benefited from a breakthrough in digital backdrops while shooting on set.
Top of the Line
‘The Call of the Wild’: How a CG Dog Named Buck Held His Own with Harrison Ford
Director Chris Sanders had the animation chops to make Buck the protagonist, but took advantage of reshoots with producer James Mangold to bolster Ford’s screen presence.
Billie Eilish’s ‘No Time to Die’ Bids Farewell to Daniel Craig’s James Bond With Haunting Ballad
Eilish’s Bond 25 theme dropped on Thursday. Now the multiple Grammy winner becomes an instant Oscar contender for Best Original Song.
Oscars 2020: Though It Lost Best Picture, ‘1917’ Dominated the Crafts Awards
Cinematographer Roger Deakins won his second Oscar, while “Toy Story 4” and “Hair Love” took animated feature and short.
‘Joker’: Putting a New Face on Joaquin Phoenix’s Zeitgeist-Grabbing Anti-Hero
Phoenix wanted to do his own makeup and hair, but the Oscar-nominated team provided the expertise in shaping his iconic look.
‘Ford v Ferrari’: Here’s How the Sound Team Created the Thrill of the Le Mans Race
The Oscar-nominated sound editing and mixing teams break down the two key scenes that lead up to Christian Bale’s big decision.
Oscars 2020: Why ‘1917’ Leads Strong Period Cinematography Race
The past comes alive as a visual feast, with Roger Deakins leading the pack with his tour de force, single-shot “1917.”
If ‘Parasite’ Wins Best Production Design, It Will Be a Gamechanger
Contemporary films see few Oscar nominations for production design, and rarely win. Bong Joon Ho and Lee Ha Jun could change that and more.
Art Directors Guild Awards: ‘Parasite, ‘Once Upon a Time in Hollywood’ Take Top Honors
“Once Upon a Time in Hollywood” and “Parasite” are poised to become only the fourth film in 20 years to win both Best Picture and Best Production Design Oscars.
How ‘1917’ Showcases the Future of Camera Stabilization and Movement
Cinematographer Roger Deakins and camera operator Charlie Rizek discuss how the Trinity was used to pull off some of the more difficult shots.
The Visual Language of ‘The Lighthouse’ Is So Much More Than Black-and-White
“The Witch” collaborators Robert Eggers and DP Jarin Blaschke go inside the creation of this year’s surprise Best Cinematography nominee.
Best Visual Effects Oscar: Innovation and Spectacle Dominate the Race
“The Lion King” is the VFX Oscar favorite, but can “1917” pull off an upset?
Newswire
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Barneys, Fabulous Department Store for Movie Stars, Dies at 97
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Alexandria Ocasio-Cortez’s Progressive PAC Rolls Out First Slate of Endorsements
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BPG Media & Foundation Media Form Partnership
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The Oval's Sex-Cult Spinoff Ruthless Gets March Premiere Date on BET+
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‘Survivor’ Medevacs: See All Medical Evacuations Through The Years
