‘Vice’: Best Editing Oscar Frontrunner Hank Corwin ‘Riffed Like a Jazz Musician’ With Adam McKay
The go-to editor is nominated once again, but finding the flow was much harder than on “The Big Short.”
Top of the Line
The Cinematographer Who Gave Birth to ‘A Star’
“A Star Is Born” cinematographer Matthew Libatique’s career has been defined by an empathetic, visceral camera that adjusts to a film’s emotional rhythms.
‘Alita: Battle Angel’: Here’s How Robert Rodriguez Tried to Channel VFX Master James Cameron
“Alita” is a far cry from “Sin City,” but it was shot at Rodriguez’s Troublemaker Studios and has an unmistakable “El Mariachi” vibe.
‘BlacKkklansman’: Balancing Comedy and Drama in Spike Lee’s Racial Allegory
Lee says “BlacKkklansman” is “on the right side of history,” for which go-to editor Barry Alexander Brown received his first Oscar nomination.
ASC Awards 2019: ‘Cold War’ Cinematographer Łukasz Żal Upsets ‘Roma’s’ Alfonso Cuarón
With his ASC victory, Żal makes it a much more competitive Oscar race in the battle of black-and-white movies.
Inside the Academy, Drama Builds on Which Craft Winners to Edit Into the Live Oscar Broadcast
Nothing’s official, but the cinematography, sound editing, sound mixing, and documentary branches volunteered to be edited during the Oscar telecast.
‘Roma’: Alfonso Cuarón Proved Dolby Atmos Is the Perfect Tool for Intimate Films, Not Blockbusters
Cuarón trades in his immersive camera movement for a new level of spatial reality through sound.
‘Bohemian Rhapsody’ Overcame High Drama in the Editing Room to Vie for the Best Picture Oscar
ACE Eddie winner John Ottman now becomes the Oscar favorite for his deft editing of the trouble-plagued yet popular Freddie Mercury biopic.
ACE Eddies: 2019: ‘Bohemian Rhapsody,’ ‘The Favourite,’ ‘Spider-Man: Into the Spider-Verse’ Win Editing Awards
“Bohemian Rhapsody” now has the momentum in the Best Editing Oscar race.
‘Vice’: How Makeup Helped Transform Christian Bale into Dick Cheney
Makeup designer Greg Cannom is poised for his fourth Oscar for making Bale unrecognizable in Adam McKay’s Best Picture nominee.
How the Surprise of ‘Christopher Robin’ Changed the VFX Oscar Race
With Pooh and his pals edging out “Black Panther,” “Avengers: Infinity War” could make Marvel history with an Oscar win.
Alfonso Cuarón Tells Cinematographer Ed Lachman How He Shot ‘Roma’
Exclusive: Cuarón and Lachman discuss “Roma”‘s unique black-and-white aesthetic in a new video, “Capturing the Invisible Unknown.”
Newswire
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Cinematographers Praise Academy Reversal: ‘We Thank You for Your Show of Respect’
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Mueller Recommends Up to 24 Years for Paul Manafort
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Clevver Finds New Home At Hearst Magazines After Defy Media Meltdown
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Fox's Proven Innocent: Grade It!
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There’s no ‘Favourite’ at the Writers Guild Awards, so we’re seeing ‘Green’ for Best Original Screenplay
