Hugh Grant on ‘The Undoing’ Ending, Reading Twitter Reactions, and ‘the Black Side of Charm’
“Quite a few people on Twitter said, ‘He can’t cry. Hugh Grant can’t cry.’ Well, I was crying! So I felt sad about that.”
TV Interviews
‘Fargo’ Season 4 Finale: Noah Hawley on All Those Deaths and That One Big Cameo
The oranges, it turns out, weren’t solely a nod to “The Godfather.”
‘The Crown’: Gillian Anderson on Exploring the Iron Lady’s Steely Rule in Season 4
Margaret Thatcher and the Queen “don’t even need to talk — they could eat cucumber sandwiches and it would be interesting,” she said.
Luca Guadagnino on ‘We Are Who We Are,’ Its Political Relevance, and a Potential Season 2
The creator behind HBO’s teen identity drama — set during the 2016 election — has already written a bible for Season 2, but he’s got a full slate to finish first.
Eric Andre Explains the Methods to His Madness on TV’s Most Deranged Talk Show
He’s intent on “warping people’s reality to the point of psychosis” on Adult Swim’s “The Eric Andre Show.”
‘The Third Day’ Live Episode: Everything You Need to Know About the 12-Hour Event
Jude Law, Katherine Waterston, and the creative team behind Saturday’s live event spoke to IndieWire about what’s coming — and what had to change.
‘Utopia’: Gillian Flynn on the Finale, Pandemic Comparisons, and a Season 2 Pivot — Spoilers
The showrunner spoke to IndieWire about early reactions to her Amazon Prime series — including David Fincher’s.
In ‘Fargo’ Season 4, the Cops Aren’t So Good Anymore
Police officers have always been the moral compass of “Fargo.” But in order to tell this “true story,” Noah Hawley had to change perspectives.
‘The Boys’: Aya Cash on Stormfront’s ‘Scary’ Relevance — and Biggest Secret Yet
Cash spoke to IndieWire about what it means to play a Nazi in 2020, the careful construction of her topical villain, and finding a path toward change.
College Should Be a Right, According to ‘College Behind Bars’ Director Lynn Novick
The director of the Emmy-nominated series “College Behind Bars” discusses how politics and the pandemic are affecting students in prison.
‘The Morning Show’ Finale: How Mimi Leder Guided a Tricky Ending to That Final Shot
Director and executive producer Mimi Leder breaks down the crucial scenes in an emotional finale, from a tragic death to that punch-in-the-face closer.
Jason Bateman Knows the Ending of ‘Ozark’ — After That, the Sky’s the Limit
As the final season of “Ozark” prepares to start production, its Emmy-nominated star and executive producer looks back on how the series has shaped his career.
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