‘Utopia’: Gillian Flynn on the Finale, Pandemic Comparisons, and a Season 2 Pivot — Spoilers
The showrunner spoke to IndieWire about early reactions to her Amazon Prime series — including David Fincher’s.
TV Interviews
In ‘Fargo’ Season 4, the Cops Aren’t So Good Anymore
Police officers have always been the moral compass of “Fargo.” But in order to tell this “true story,” Noah Hawley had to change perspectives.
‘The Boys’: Aya Cash on Stormfront’s ‘Scary’ Relevance — and Biggest Secret Yet
Cash spoke to IndieWire about what it means to play a Nazi in 2020, the careful construction of her topical villain, and finding a path toward change.
College Should Be a Right, According to ‘College Behind Bars’ Director Lynn Novick
The director of the Emmy-nominated series “College Behind Bars” discusses how politics and the pandemic are affecting students in prison.
‘The Morning Show’ Finale: How Mimi Leder Guided a Tricky Ending to That Final Shot
Director and executive producer Mimi Leder breaks down the crucial scenes in an emotional finale, from a tragic death to that punch-in-the-face closer.
Jason Bateman Knows the Ending of ‘Ozark’ — After That, the Sky’s the Limit
As the final season of “Ozark” prepares to start production, its Emmy-nominated star and executive producer looks back on how the series has shaped his career.
Diego Luna Realized His Own Racism While Making ‘Pan y Circo’
The actor said the ultimate objective of the Amazon Prime Video show was to transform a big audience and promote healing.
‘My Favorite Shapes’ Molds Julio Torres’ Imagination into a Gift for the World
Between “Los Espookys” and his HBO comedy special, Julio Torres encourages viewers to see life from a shiny new perspective — our own.
Why ‘Love, Victor’ Star Michael Cimino Took a Gay Role Against Industry Advice
Hulu’s leading man is extremely passionate about LGBTQ rights and Latinx representation.
‘Archer: 1999’ Posed Many of the Show’s Greatest Challenges — Now Comes Season 11
“Archer” producers Matt Thompson and Casey Willis appraise their three-season creative odyssey through “Dreamland” — and preview a brand new adventure.
‘I Know This Much Is True’ Is Heartbreaking, but Derek Cianfrance Knows Pain Can Help Us Heal
“I Know This Much Is True” is unyielding in its portrait of grief, but the writer-director explains why he — and audiences — are drawn to tragedies, even now.
Ramy Youssef on Season 2’s New Direction and How Mahershala Ali Reshaped ‘Ramy’ — Awards Spotlight
The creator and star of “Ramy” also explains why comedy will always be a priority for the Hulu series and examines his character’s “intimacy problem.”
