‘Red Oaks’ Review: Season 3 Goes Out on Its Own Terms, Ending a Lovely Series with a Dose of Inspiration
It may feel like the cult favorite comedy is determined to ride into the sunset unnoticed, but “Red Oaks” ends exactly as it should.
TV Reviews
‘Mr. Robot’ Review: Who’s in CTRL and Other Key Takeaways From ‘eps3.1_undo.gz’
Season 3 Episode 2 featured some great music cues and great acting from Rami Malek.
‘Loudermilk’ Review: Peter Farrelly Comedy About Recovering Alcoholic Gets by with a Lot of Help From His Friends
Ron Livingston makes for a solid comedic lead, but the show gets better the more it focuses on everyone else.
‘Star Trek: Discovery’ Review: Things Get Even Darker (But More Fascinating) in ‘Choose Your Pain’
The crew of the newest “Trek” series broke whole new boundaries for the franchise in the newest episode.
‘Saturday Night Live’ Review: Kumail Nanjiani Helps Deliver The Season’s Strongest Episode Yet
Despite a truly funny host, “SNL” still needs some focus.
‘Halt and Catch Fire’ Series Finale Review: The Future Is Female in a Powerful Ending to a One-of-a-Kind Show
“Halt and Catch Fire” ended exactly as it began, and it was beautiful.
‘Dirk Gently’ Review: Season 2 Premiere Is a Messy ‘Acceleration of Strangeness’
The table setting for Dirk’s new case feels like it has too many weird little forks and knives for now.
‘Mindhunter’ Season 1 Review: This Fascinating Textbook of a TV Show Thrives on Hidden Monsters — Spoilers
So much chatter, but what does it all mean?
‘Crazy Ex-Girlfriend’ Review: The Craziness Spreads as a Stellar Season 3 Raises the Stakes
Even after Rebecca’s ultimate rejection, the show finds its power in diving into how that affects everyone else.
‘Lore’ Review: Season 1 Turns a Spooky Podcast Into a Bland Historical Reenactment
Amazon’s adaptation recreates true stories you don’t need to see to believe.
‘White Famous’ Review: Jay Pharoah’s ‘Californication’ Knock-Off Is Shallower and Less Funny
Apparently “White Famous” means becoming David Duchovny.
‘Mindhunter’ Review: David Fincher’s Netflix Return Debates the Origins of Evil — And It’s Pretty Funny, Too
“Mindhunter” plays like a darkly comic, slyly progressive, and super chatty version of “Zodiac,” and that’s just fine. [Spoiler-Free Review]
