The deal means democratizing Weta Digital’s industry-leading toolset, more real-time virtual production, and Weta having the financing to make its own animated movies and series.
Weta Digital breaks down the surreal medieval vibe with retro-looking matte paintings, naked giants, and time-lapse changing of the seasons.
Weta Digital partners with Avalon and Streamliner to bring LED-stage virtual production to New Zealand.
Peter Jackson’s New Zealand-based VFX powerhouse will expand with the launch of Weta Animated. Is there a future for more “Tintin” or “Alita: Battle Angel”?
Weta Digital has created the most believable CG human for Ang Lee’s latest experiment in 3D high-frame rate cinema.
The VFX powerhouse created more than 600 shots, including 30,000 zombie Wights and thousands of Dothrakis with flaming swords.
Weta Digital found the right VFX look for a character to appear mortally wounded without becoming “a horror show.”
“Alita” is a far cry from “Sin City,” but it was shot at Rodriguez’s Troublemaker Studios and has an unmistakable “El Mariachi” vibe.
IndieWire went to Wellywood to preview Weta’s latest facial capture advances on Robert Rodriguez’s sci-fi epic from James Cameron’s Lightstorm Entertainment.
Weta Digital created a new kind of fast-talking, frenetic ape, which posed several animation and performance challenges.
We talked to Andy Serkis about his final Shakespearean performance as Caesar. It’s time the Academy honored him.
The indie director discusses making the transition to studio player at Disney and why he’s tackling “Peter Pan.”
