Lynne Ramsay on Walking Out on ‘The Lovely Bones,’ Secret New Margaret Atwood Project
The “You Were Never Really Here” director is circling an Atwood short story for her next film, and talks her Alice Sebold adaptation that fell through.
The “You Were Never Really Here” director is circling an Atwood short story for her next film, and talks her Alice Sebold adaptation that fell through.
“You Were Never Really Here” is a four-time Independent Spirit Award nominee, but it really deserves a shot at Oscar glory.
Three’s a trend: Lynne Ramsay’s film looks to join “Isle of Dogs” and “The Death of Stalin” as specialized successes that build a vital box office.
Ramsay on collaborating with Phoenix and composer Jonny Greenwood, surviving career trauma, and how in 2018 we all are suffering from PTSD.
Career Watch: “I do not strive to be a professional actor,” says actor Joaquin Phoenix. ” I do not want to be a pro.”
Greenwood teams up with Lynne Ramsay for his first original score since earning an Oscar nomination.
There’s a reason Phoenix won Best Actor at the Cannes Film Festival last year, and you’re about to find out.
“It’s a tough industry, and if you’re a woman it’s harder, whether you like it or not.”
Ramsay says she cut enough footage from her crime thriller to make three additional features.
Lynne Ramsay’s child trafficking drama won two major prizes at Cannes: Best Actor and Best Screenplay.
After winning two big prizes at the Cannes Film Festival, “You Were Never Really Here” sets its sights on awards season.
The director of “We Need to Talk About Kevin” constructs an expressionistic noir out of Joaquin Phoenix’s deadpan expressions and Johnny Greenwood’s score.