Zoë Kravitz Reveals Director Sexually Harassed Her When She Was ‘Maybe 19 or 20’ Years Old
Kravitz also spoke to Rolling Stone about trying to get “Big Little Lies” to address her character’s race more explicitly.
Zoë Kravitz
‘Kin’ Review: Jack Reynor and Zoë Kravitz Lead a Satisfying Action Thriller With a Sci-Fi Heart
On the lam with his shady older brother, a teenage boy discovers an otherworldly weapon only he can operate in this crime thriller from executive producer Michael B. Jordan.
Critics Reveal How They’d Change TV in 2018 — IndieWire Survey
If you had a genie who granted a wish to change one thing about television, what would it be?
‘Gemini’ First Trailer: Zoë Kravitz Bewitches Lola Kirke in Intoxicating Neo-Noir Thriller
Indie filmmaker Aaron Katz delivers a dreamy Hollywood caper with indie film’s most provocative rising talents.
Zoë Kravitz and Lola Kirke Wander Through a Dreamy Los Angeles in Aaron Katz’s Hypnotic Mystery ‘Gemini’ — SXSW 2017 Review
The director of “Cold Weather” returns with another innovative detective story, this time satirizing the film business.
Zoë Kravitz, Lola Kirke & John Cho Cast in Aaron Katz’s L.A. Thriller ‘Gemini’
The director’s follow-up to “Land Ho!” is a thriller set in Los Angeles.
Tribeca Review: Nicolas Winding Refn Meets Jeff Nichols in Nutty Thriller ‘Vincent N Roxxy’
Tribeca Review: Nicolas Winding Refn Meets Jeff Nichols in Nutty Thriller ‘Vincent N Roxxy’
Watch: Being Different is ‘Dope’ in Exclusive Featurette
Watch: Being Different is ‘Dope’ in Exclusive Featurette
Watch: New Red Band Trailer And 3 Clips For ‘Dope’
Watch: New Red Band Trailer And 3 Clips For ‘Dope’
Watch: Andrew Niccol on Drone Warfare and the Realities of ‘Good Kill’
Watch: Andrew Niccol on Drone Warfare and the Realities of ‘Good Kill’
Watch: New Red Band Trailer For Sundance Hit ‘Dope’ Slides Down A Slippery Slope
Watch: New Red Band Trailer For Sundance Hit ‘Dope’ Slides Down A Slippery Slope
Review: Andrew Niccol’s ‘Good Kill’ Is A Somber But Flawed Look At The War On Terror
Review: Andrew Niccol’s ‘Good Kill’ Is A Somber But Flawed Look At The War On Terror
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