Baz Luhrmann Knows Kids Don’t Care About ‘Elvis.’ He’s Ready to Change Their Minds.
The “Elvis” director tells IndieWire that he believes bringing all audiences back to the theater is “my mission.”
The “Elvis” director tells IndieWire that he believes bringing all audiences back to the theater is “my mission.”
Hollywood math is fuzzy at best, but this Cannes market is particularly unpredictable because no one knows how to assess value.
Palme d’Or winner Ruben Östlund (“The Square”) loves making us laugh, no matter how long it takes.
Cannes: In “Three Thousand Years of Longing,” how did Miller make a Djinn tower over Tilda Swinton? It only started with the platform shoes.
She stars in Un Certain Regard title “Corsage,” an irreverently feminist drama that should have been in the official competition.
Cannes: With the right handling, this could be Gray’s best-received film to date.
Cannes called it a MasterClass Conversation, but the mastery on display was Tom Cruise’s unflagging ability to reveal nothing.
Cannes always blends art cinema with brazenly commercial Hollywood fare like “Top Gun: Maverick.” This year’s biggest star on the red carpet is Tom Cruise.
The Iranian Oscar-winner was grilled at the Cannes Jury press conference.
There’s a few titles left for sale in the Official Selection, but market packages are where the real action is.
“Jazz Fest” brings a message of hope: “that we can get through these disasters and pandemics and whatever else is thrown at us, with music.”
“And Just Like That…” offered Nixon a chance to be vulnerable and brave, sexy and insecure, bond with her girlfriends, and fight with them too. She kept her corsets tied in period drama “The Gilded Age.”